PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA

Utopia is considered to be a perfect state, a place where all desires and longings can be finally fulfilled. Dystopia is frequently described as a failed utopia, a place which becomes an expression of our deepest fears and concerns. Instead of granting liberty and promoting free thinking, it is a...

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Main Author: Katarzyna Baran
Format: Article
Language:English
Published: Bucharest University Press 2022-02-01
Series:University of Bucharest Review. Literary and Cultural Studies Series
Subjects:
Online Access:http://ubr.rev.unibuc.ro/wp-content/uploads/2014/12/KatarzynaBaran.pdf
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author Katarzyna Baran
author_facet Katarzyna Baran
author_sort Katarzyna Baran
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description Utopia is considered to be a perfect state, a place where all desires and longings can be finally fulfilled. Dystopia is frequently described as a failed utopia, a place which becomes an expression of our deepest fears and concerns. Instead of granting liberty and promoting free thinking, it is a space of surveillance and oppression. The techniques the ones in control use to exercise power and impose order are manifold. Control over memory and the past is one of them. This paper analyses two 2005 films: Karyn Kusama’s Aeon Flux and Michael Bay’s The Island which portray worlds with cloning as the hallmark of civilisation. The article shows how the centre of power can be challenged by recovering memory of the forbidden past. Furthermore, it emphasises the importance of dreams as a triggering force for the resistance. It draws on Freud’s concept of the uncanny and Baudrillard’s idea of simulation to examine the consequences of cloning as well as the significance of memories and dreams in dystopian narratives.
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spelling doaj.art-a67eed98a23248758e2402f2f7a522de2023-11-02T10:22:02ZengBucharest University PressUniversity of Bucharest Review. Literary and Cultural Studies Series2734-59632022-02-01III/20132PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMAKatarzyna BaranUtopia is considered to be a perfect state, a place where all desires and longings can be finally fulfilled. Dystopia is frequently described as a failed utopia, a place which becomes an expression of our deepest fears and concerns. Instead of granting liberty and promoting free thinking, it is a space of surveillance and oppression. The techniques the ones in control use to exercise power and impose order are manifold. Control over memory and the past is one of them. This paper analyses two 2005 films: Karyn Kusama’s Aeon Flux and Michael Bay’s The Island which portray worlds with cloning as the hallmark of civilisation. The article shows how the centre of power can be challenged by recovering memory of the forbidden past. Furthermore, it emphasises the importance of dreams as a triggering force for the resistance. It draws on Freud’s concept of the uncanny and Baudrillard’s idea of simulation to examine the consequences of cloning as well as the significance of memories and dreams in dystopian narratives. http://ubr.rev.unibuc.ro/wp-content/uploads/2014/12/KatarzynaBaran.pdfbaudrillardcloningdreamsdystopiamemorythe uncanny
spellingShingle Katarzyna Baran
PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
University of Bucharest Review. Literary and Cultural Studies Series
baudrillard
cloning
dreams
dystopia
memory
the uncanny
title PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
title_full PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
title_fullStr PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
title_full_unstemmed PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
title_short PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA
title_sort past effaced past recovered dreams and memory control in recent dystopian cinema
topic baudrillard
cloning
dreams
dystopia
memory
the uncanny
url http://ubr.rev.unibuc.ro/wp-content/uploads/2014/12/KatarzynaBaran.pdf
work_keys_str_mv AT katarzynabaran pasteffacedpastrecovereddreamsandmemorycontrolinrecentdystopiancinema