Converging Spaces: Sound and Spatialization in Iannis Xenakis’s <i>Terretektorh</i>
In this paper we present an analysis of Iannis Xenakis’s Terretektorh (1965-66) considering the manner in which space has been exploited in the construction of the work’s musical discourse. We first discuss how the orchestra, with its 88 musicians dispersed amongst the audience, is transformed into...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2012-12-01
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| Series: | Opus |
| Subjects: | |
| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/161 |