La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819

This article examines exhibitions of Napoleonic art and material culture exhibited in London in the immediate years following the battle of Waterloo. Focusing on three main museums and exhibition spaces, George Palmer’s Waterloo Museum, William Bullock’s Egyptian Hall and the Waterloo Rooms in Pall...

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Main Author: Nicole Cochrane
Format: Article
Language:fra
Published: Seminario di filologia francese 2021-11-01
Series:Revue Italienne d'Etudes Françaises
Subjects:
Online Access:http://journals.openedition.org/rief/7988
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author Nicole Cochrane
author_facet Nicole Cochrane
author_sort Nicole Cochrane
collection DOAJ
description This article examines exhibitions of Napoleonic art and material culture exhibited in London in the immediate years following the battle of Waterloo. Focusing on three main museums and exhibition spaces, George Palmer’s Waterloo Museum, William Bullock’s Egyptian Hall and the Waterloo Rooms in Pall Mall, it explores how display of Napoleonic art, furniture, clothing and weaponry to British audiences illuminates a tension in British public consciousness of Napoleon, the Napoleonic Wars and British cultural life. It demonstrates that museums were an important space for Napoleonic interaction, wherein exhibitions could simultaneously enforce narratives of defeat and British supremacy whilst also allowing for a tactile intimacy with objects of the ex-emperors personal and familial life.
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spelling doaj.art-a6a5e3934a7a4f4c8e1ff112e715935d2022-12-21T22:58:21ZfraSeminario di filologia franceseRevue Italienne d'Etudes Françaises2240-74562021-11-011110.4000/rief.7988La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819Nicole CochraneThis article examines exhibitions of Napoleonic art and material culture exhibited in London in the immediate years following the battle of Waterloo. Focusing on three main museums and exhibition spaces, George Palmer’s Waterloo Museum, William Bullock’s Egyptian Hall and the Waterloo Rooms in Pall Mall, it explores how display of Napoleonic art, furniture, clothing and weaponry to British audiences illuminates a tension in British public consciousness of Napoleon, the Napoleonic Wars and British cultural life. It demonstrates that museums were an important space for Napoleonic interaction, wherein exhibitions could simultaneously enforce narratives of defeat and British supremacy whilst also allowing for a tactile intimacy with objects of the ex-emperors personal and familial life.http://journals.openedition.org/rief/7988Material CultureMuseumExhibitionNapoleonNineteenth-Century London
spellingShingle Nicole Cochrane
La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
Revue Italienne d'Etudes Françaises
Material Culture
Museum
Exhibition
Napoleon
Nineteenth-Century London
title La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
title_full La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
title_fullStr La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
title_full_unstemmed La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
title_short La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
title_sort la culture materielle napoleonienne dans les expositions de l apres waterloo a londres 1815 1819
topic Material Culture
Museum
Exhibition
Napoleon
Nineteenth-Century London
url http://journals.openedition.org/rief/7988
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