L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov
This article retraces two parallel trajectories of the diary film through an analysis of Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972) and Diary (David Perlov, 1973-1983), two contemporaneous autobiographical works centered on both the experience of exile and the return to the homeland...
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| Format: | Article |
| Language: | English |
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Institut des Amériques
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| Series: | IdeAs |
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| Online Access: | https://journals.openedition.org/ideas/1505 |
| _version_ | 1797305872413622272 |
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| author | Jennifer Cazenave |
| author_facet | Jennifer Cazenave |
| author_sort | Jennifer Cazenave |
| collection | DOAJ |
| description | This article retraces two parallel trajectories of the diary film through an analysis of Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972) and Diary (David Perlov, 1973-1983), two contemporaneous autobiographical works centered on both the experience of exile and the return to the homeland. Taking as a point of departure the theories developed by Hamid Naficy in his study of exilic cinema, we will undertake a comparative analysis of the transnational spaces constructed by Mekas and Perlov and ultimately reflect on the specificity of the diary film as a mode of representing exile. |
| first_indexed | 2024-03-08T00:32:52Z |
| format | Article |
| id | doaj.art-a6c6f2b56b8d4cb4af243c931b5e67f7 |
| institution | Directory Open Access Journal |
| issn | 1950-5701 |
| language | English |
| last_indexed | 2024-03-08T00:32:52Z |
| publisher | Institut des Amériques |
| record_format | Article |
| series | IdeAs |
| spelling | doaj.art-a6c6f2b56b8d4cb4af243c931b5e67f72024-02-15T13:54:36ZengInstitut des AmériquesIdeAs1950-5701710.4000/ideas.1505L’exil et le retour dans les journaux filmés de Jonas Mekas et David PerlovJennifer CazenaveThis article retraces two parallel trajectories of the diary film through an analysis of Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972) and Diary (David Perlov, 1973-1983), two contemporaneous autobiographical works centered on both the experience of exile and the return to the homeland. Taking as a point of departure the theories developed by Hamid Naficy in his study of exilic cinema, we will undertake a comparative analysis of the transnational spaces constructed by Mekas and Perlov and ultimately reflect on the specificity of the diary film as a mode of representing exile.https://journals.openedition.org/ideas/1505Jonas MekasDavid Perlovdiary filmexilememoryautobiography |
| spellingShingle | Jennifer Cazenave L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov IdeAs Jonas Mekas David Perlov diary film exile memory autobiography |
| title | L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov |
| title_full | L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov |
| title_fullStr | L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov |
| title_full_unstemmed | L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov |
| title_short | L’exil et le retour dans les journaux filmés de Jonas Mekas et David Perlov |
| title_sort | l exil et le retour dans les journaux filmes de jonas mekas et david perlov |
| topic | Jonas Mekas David Perlov diary film exile memory autobiography |
| url | https://journals.openedition.org/ideas/1505 |
| work_keys_str_mv | AT jennifercazenave lexiletleretourdanslesjournauxfilmesdejonasmekasetdavidperlov |