La valle dell’Eden: Steinbeck, Kazan, Latella

The following essay interprets Latella’s theatrical version of Steinbeck’s novel (La valle dell’Eden) as an opportunity to reconsider some key elements of the literary text whose recognition in American Studies has been neglected up to a recent time. In order to do that, the author has also drawn fr...

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Main Author: Vincenzo Maggitti
Format: Article
Language:English
Published: Department of Foreign Languages and Literatures at the University of Verona 2020-06-01
Series:Iperstoria
Subjects:
Online Access:https://iperstoria.it/article/view/728
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author Vincenzo Maggitti
author_facet Vincenzo Maggitti
author_sort Vincenzo Maggitti
collection DOAJ
description The following essay interprets Latella’s theatrical version of Steinbeck’s novel (La valle dell’Eden) as an opportunity to reconsider some key elements of the literary text whose recognition in American Studies has been neglected up to a recent time. In order to do that, the author has also drawn from film theory, mostly concerning Cinemascope, as it was the technical, and blatantly commercial device that mainly contributed to rewrite characters’ relation for the screen in Elia Kazan’s movie with the same title (East of Eden). In the last part of the essay the focus is on how epic theatre surfaces among the intermedial perspective, connecting the building of a house on stage with the metaphorical construction of the text in Steinbeck’s rewriting of American history and its biblical foundation.
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spelling doaj.art-a6d961b7e9fe4b1d82663c3907d22f522022-12-21T19:51:58ZengDepartment of Foreign Languages and Literatures at the University of VeronaIperstoria2281-45822020-06-0101510.13136/2281-4582/2020.i15.728632La valle dell’Eden: Steinbeck, Kazan, LatellaVincenzo MaggittiThe following essay interprets Latella’s theatrical version of Steinbeck’s novel (La valle dell’Eden) as an opportunity to reconsider some key elements of the literary text whose recognition in American Studies has been neglected up to a recent time. In order to do that, the author has also drawn from film theory, mostly concerning Cinemascope, as it was the technical, and blatantly commercial device that mainly contributed to rewrite characters’ relation for the screen in Elia Kazan’s movie with the same title (East of Eden). In the last part of the essay the focus is on how epic theatre surfaces among the intermedial perspective, connecting the building of a house on stage with the metaphorical construction of the text in Steinbeck’s rewriting of American history and its biblical foundation.https://iperstoria.it/article/view/728american studiessteinbeckcinemascopeadaptation studiestheatre studies
spellingShingle Vincenzo Maggitti
La valle dell’Eden: Steinbeck, Kazan, Latella
Iperstoria
american studies
steinbeck
cinemascope
adaptation studies
theatre studies
title La valle dell’Eden: Steinbeck, Kazan, Latella
title_full La valle dell’Eden: Steinbeck, Kazan, Latella
title_fullStr La valle dell’Eden: Steinbeck, Kazan, Latella
title_full_unstemmed La valle dell’Eden: Steinbeck, Kazan, Latella
title_short La valle dell’Eden: Steinbeck, Kazan, Latella
title_sort la valle dell eden steinbeck kazan latella
topic american studies
steinbeck
cinemascope
adaptation studies
theatre studies
url https://iperstoria.it/article/view/728
work_keys_str_mv AT vincenzomaggitti lavalledelledensteinbeckkazanlatella