The drawing of choreographers as performances in museum space. Ideas and excuses for heritage education.
<p>This article examines the choreographic installation Retranslation I Final Unfinished Portrait (Francis Bacon), by William Forsythe and Peter Welz in 2006 with the aim of highlighting that drawing as experience that makes possible to achieve multiple forms of representation: dance and chore...
| Main Authors: | , , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of L'Aquila
2019-12-01
|
| Series: | Disegnare con |
| Subjects: | |
| Online Access: | https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/628 |