Manganelli’s hilarious-tragic theatre (between Beckett and Bacon)
<p>The Italian reception of Samuel Beckett’s works, even though late, finds in Giorgio Manganelli one of the most careful and punctual interpreters. An aspect that is necessary to analyze concerns the hilarious-tragic character according to Manganelli’s interpretation, or rather the operation...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidad Complutense de Madrid
2018-12-01
|
| Series: | Cuadernos de Filología Italiana |
| Subjects: | |
| Online Access: | http://revistas.ucm.es/index.php/CFIT/article/view/57968 |
| _version_ | 1818421767767588864 |
|---|---|
| author | Filippo Milani |
| author_facet | Filippo Milani |
| author_sort | Filippo Milani |
| collection | DOAJ |
| description | <p>The Italian reception of Samuel Beckett’s works, even though late, finds in Giorgio Manganelli one of the most careful and punctual interpreters. An aspect that is necessary to analyze concerns the hilarious-tragic character according to Manganelli’s interpretation, or rather the operation of emptying the tragic myth in a parodic way. The Manganelli’s “tragedie da leggere” have in common with Beckett’s plays and with Bacon’s paintings the same desecrating purpose towards the tragic myth, which they oppose a sarcastic and melancholic hilarity.</p> |
| first_indexed | 2024-12-14T13:15:36Z |
| format | Article |
| id | doaj.art-a70110256e1b40dd8d7a1bdbd4078cae |
| institution | Directory Open Access Journal |
| issn | 1133-9527 1988-2394 |
| language | English |
| last_indexed | 2024-12-14T13:15:36Z |
| publishDate | 2018-12-01 |
| publisher | Universidad Complutense de Madrid |
| record_format | Article |
| series | Cuadernos de Filología Italiana |
| spelling | doaj.art-a70110256e1b40dd8d7a1bdbd4078cae2022-12-21T23:00:04ZengUniversidad Complutense de MadridCuadernos de Filología Italiana1133-95271988-23942018-12-0125019721110.5209/CFIT.5796855838Manganelli’s hilarious-tragic theatre (between Beckett and Bacon)Filippo Milani<p>The Italian reception of Samuel Beckett’s works, even though late, finds in Giorgio Manganelli one of the most careful and punctual interpreters. An aspect that is necessary to analyze concerns the hilarious-tragic character according to Manganelli’s interpretation, or rather the operation of emptying the tragic myth in a parodic way. The Manganelli’s “tragedie da leggere” have in common with Beckett’s plays and with Bacon’s paintings the same desecrating purpose towards the tragic myth, which they oppose a sarcastic and melancholic hilarity.</p>http://revistas.ucm.es/index.php/CFIT/article/view/57968ManganelliBeckettBaconteatro dell’assurdovocalità in scena |
| spellingShingle | Filippo Milani Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) Cuadernos de Filología Italiana Manganelli Beckett Bacon teatro dell’assurdo vocalità in scena |
| title | Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) |
| title_full | Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) |
| title_fullStr | Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) |
| title_full_unstemmed | Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) |
| title_short | Manganelli’s hilarious-tragic theatre (between Beckett and Bacon) |
| title_sort | manganelli s hilarious tragic theatre between beckett and bacon |
| topic | Manganelli Beckett Bacon teatro dell’assurdo vocalità in scena |
| url | http://revistas.ucm.es/index.php/CFIT/article/view/57968 |
| work_keys_str_mv | AT filippomilani manganellishilarioustragictheatrebetweenbeckettandbacon |