POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A

Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used...

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Main Authors: Yedija Remalya Sidjabat, Vissia Ita Yulianto, Royke Bobby Koapaha
Format: Article
Language:English
Published: Faculty of Cultural Sciences, Universitas Mulawarman 2018-11-01
Series:CaLLs: Journal of Culture, Arts, Literature, and Linguistics
Subjects:
Online Access:https://e-journals.unmul.ac.id/index.php/CALLS/article/view/1693
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author Yedija Remalya Sidjabat
Vissia Ita Yulianto
Royke Bobby Koapaha
author_facet Yedija Remalya Sidjabat
Vissia Ita Yulianto
Royke Bobby Koapaha
author_sort Yedija Remalya Sidjabat
collection DOAJ
description Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in  formation of hip hop dangdut, but not fully realized by NDX group. Political identity in  formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial in this research is criticized dominance or the form of leadership culture (hegemony) conducted by capitalists. Hip hop dangdut formed because of the hegemony of media in popularizing hip hop that occurs massively. Contestation on hip hop dangdut identity is analyzed using the concept of mimicry and hybridity to see ‘in-between’ space or third space that can be described the position of hip hop dangdut. Negotiations between hip hop and dangdut is a form of hybridity that takes place in ambivalence, which is mimicking and mocking, and not entirely subordinated to the cultural discrimination that occurs to the strategy of globalization. The performance and NDX music that performed on stage shows the cultural identity negotiations between hip hop and dangdut that formed in the third space.
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spelling doaj.art-a7157bc1efbd42d6807429207b3493d32023-11-22T10:43:05ZengFaculty of Cultural Sciences, Universitas MulawarmanCaLLs: Journal of Culture, Arts, Literature, and Linguistics2460-674X2549-77072018-11-0142778810.30872/calls.v4i2.16931207POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.AYedija Remalya Sidjabat0Vissia Ita Yulianto1Royke Bobby Koapaha2Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah MadaProgram Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah MadaProgram Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah MadaHip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in  formation of hip hop dangdut, but not fully realized by NDX group. Political identity in  formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial in this research is criticized dominance or the form of leadership culture (hegemony) conducted by capitalists. Hip hop dangdut formed because of the hegemony of media in popularizing hip hop that occurs massively. Contestation on hip hop dangdut identity is analyzed using the concept of mimicry and hybridity to see ‘in-between’ space or third space that can be described the position of hip hop dangdut. Negotiations between hip hop and dangdut is a form of hybridity that takes place in ambivalence, which is mimicking and mocking, and not entirely subordinated to the cultural discrimination that occurs to the strategy of globalization. The performance and NDX music that performed on stage shows the cultural identity negotiations between hip hop and dangdut that formed in the third space.https://e-journals.unmul.ac.id/index.php/CALLS/article/view/1693hip hop dangdutpolitical identitypostcolonial
spellingShingle Yedija Remalya Sidjabat
Vissia Ita Yulianto
Royke Bobby Koapaha
POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
CaLLs: Journal of Culture, Arts, Literature, and Linguistics
hip hop dangdut
political identity
postcolonial
title POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
title_full POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
title_fullStr POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
title_full_unstemmed POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
title_short POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A
title_sort politik identitas dalam perspektif poskolonial studi kasus hip hop dangdut grup ndx a k a
topic hip hop dangdut
political identity
postcolonial
url https://e-journals.unmul.ac.id/index.php/CALLS/article/view/1693
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AT vissiaitayulianto politikidentitasdalamperspektifposkolonialstudikasushiphopdangdutgrupndxaka
AT roykebobbykoapaha politikidentitasdalamperspektifposkolonialstudikasushiphopdangdutgrupndxaka