La Fin de La Princesse de Clèves comme fait divers

As a fait divers by extension, The Princess of Clèves combines chance and fiction in innovate ways. The curious flatness and extreme brevity of the end of the novel are effects of this fusion. The princess secures a final state of repose for herself by reducing her exposure to the chance events that...

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Main Author: David L. Sedley
Format: Article
Language:English
Published: Institut du Monde Anglophone 2020-10-01
Series:Etudes Epistémè
Subjects:
Online Access:http://journals.openedition.org/episteme/7393
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author David L. Sedley
author_facet David L. Sedley
author_sort David L. Sedley
collection DOAJ
description As a fait divers by extension, The Princess of Clèves combines chance and fiction in innovate ways. The curious flatness and extreme brevity of the end of the novel are effects of this fusion. The princess secures a final state of repose for herself by reducing her exposure to the chance events that have tormented her throughout the plot. Once there is no chance of her being disturbed, the narrative goes slack and immediately proceeds to represent her final days and death in less than one sentence. The rapid exhaustion of the formerly vivid portrait of Lafayette’s heroine implies how tightly the text binds chance and mimesis to one another. In the absence of chance, the life of the princess becomes inimitable, in the sense that it no longer constitutes a possible object of fictional representation as the novel previously defined it. This recipe for mimesis resists the scientific takeover of vraisemblance projected in the philosophies of Descartes and others.
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spelling doaj.art-a721ecd4143a4b6ca01a9a697946933d2022-12-21T22:31:20ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502020-10-013710.4000/episteme.7393La Fin de La Princesse de Clèves comme fait diversDavid L. SedleyAs a fait divers by extension, The Princess of Clèves combines chance and fiction in innovate ways. The curious flatness and extreme brevity of the end of the novel are effects of this fusion. The princess secures a final state of repose for herself by reducing her exposure to the chance events that have tormented her throughout the plot. Once there is no chance of her being disturbed, the narrative goes slack and immediately proceeds to represent her final days and death in less than one sentence. The rapid exhaustion of the formerly vivid portrait of Lafayette’s heroine implies how tightly the text binds chance and mimesis to one another. In the absence of chance, the life of the princess becomes inimitable, in the sense that it no longer constitutes a possible object of fictional representation as the novel previously defined it. This recipe for mimesis resists the scientific takeover of vraisemblance projected in the philosophies of Descartes and others.http://journals.openedition.org/episteme/7393novelchanceMadame de LafayetteThe Princess of ClèvesendDescartes
spellingShingle David L. Sedley
La Fin de La Princesse de Clèves comme fait divers
Etudes Epistémè
novel
chance
Madame de Lafayette
The Princess of Clèves
end
Descartes
title La Fin de La Princesse de Clèves comme fait divers
title_full La Fin de La Princesse de Clèves comme fait divers
title_fullStr La Fin de La Princesse de Clèves comme fait divers
title_full_unstemmed La Fin de La Princesse de Clèves comme fait divers
title_short La Fin de La Princesse de Clèves comme fait divers
title_sort la fin de la princesse de cleves comme fait divers
topic novel
chance
Madame de Lafayette
The Princess of Clèves
end
Descartes
url http://journals.openedition.org/episteme/7393
work_keys_str_mv AT davidlsedley lafindelaprincessedeclevescommefaitdivers