“Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo

Who is Pulcinella? What does his laughter have to say about the “end of time” and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Gi...

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Bibliographic Details
Main Author: Marta Cassina
Format: Article
Language:English
Published: Firenze University Press 2020-12-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12437
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author Marta Cassina
author_facet Marta Cassina
author_sort Marta Cassina
collection DOAJ
description Who is Pulcinella? What does his laughter have to say about the “end of time” and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Giorgio Agamben’s philosophy – notably the notion of “recapitulation of time” in its relation to comedy – we will trace a path which links Michail Bachtin’s theories on the carnivalesque culture together with a recognition in the aesthetics of “character”. In this encounter, the consistency of Pulcinella-King Carnival’s form of life will appear in the light of an “escape route”: it winks at a kind of general and anonymous beatitude, which pairs with the experience of the destitution of time.
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spelling doaj.art-a73e9e4c484441708f6bc0900b0803992022-12-22T00:56:58ZengFirenze University PressLea1824-484X2020-12-019910.13128/lea-1824-484x-12437“Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempoMarta CassinaWho is Pulcinella? What does his laughter have to say about the “end of time” and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Giorgio Agamben’s philosophy – notably the notion of “recapitulation of time” in its relation to comedy – we will trace a path which links Michail Bachtin’s theories on the carnivalesque culture together with a recognition in the aesthetics of “character”. In this encounter, the consistency of Pulcinella-King Carnival’s form of life will appear in the light of an “escape route”: it winks at a kind of general and anonymous beatitude, which pairs with the experience of the destitution of time.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12437Carnival, character, comedy, end of time, Pulcinella
spellingShingle Marta Cassina
“Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
Lea
Carnival, character, comedy, end of time, Pulcinella
title “Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
title_full “Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
title_fullStr “Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
title_full_unstemmed “Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
title_short “Ubi fracassorium, ibi fuggitorium”: Pulcinella e l’enigma della ricapitolazione del tempo
title_sort ubi fracassorium ibi fuggitorium pulcinella e l enigma della ricapitolazione del tempo
topic Carnival, character, comedy, end of time, Pulcinella
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12437
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