Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej

The article deals with the subject of art made with body parts of animals. The motive of a dead animal has been present in art since its beginning; in cave paintings and later in Flemish still lives. Yet it is contemporary art that tries to go even further. Instead of representing dead bodies, the a...

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Main Author: Andrzej Pitrus
Format: Article
Language:English
Published: University of Silesia Press 2019-12-01
Series:Zoophilologica
Subjects:
Online Access:https://www.journals.us.edu.pl/index.php/ZOOPHILOLOGICA/article/view/8066
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author Andrzej Pitrus
author_facet Andrzej Pitrus
author_sort Andrzej Pitrus
collection DOAJ
description The article deals with the subject of art made with body parts of animals. The motive of a dead animal has been present in art since its beginning; in cave paintings and later in Flemish still lives. Yet it is contemporary art that tries to go even further. Instead of representing dead bodies, the artists simply use them. They could be “mere” dead flies, or giant sharks. Andrzej Pitrus discusses taxidermy, which normally is not considered a proper art, but many “real” artists use this technique as well. Some ethical issues are also discussed, because many of the works are nowadays sold for steep prices. Where does the critical art end, and exploitation start? It is hard to answer this question, which nevertheless sould be asked.
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spelling doaj.art-a75ff479a81b48caa6bcccc8872034fb2022-12-21T20:01:45ZengUniversity of Silesia PressZoophilologica2719-26872451-38492019-12-01534335310.31261/ZOOPHILOLOGICA.2019.05.288066Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszejAndrzej Pitrus0Uniwersytet JagiellońskiThe article deals with the subject of art made with body parts of animals. The motive of a dead animal has been present in art since its beginning; in cave paintings and later in Flemish still lives. Yet it is contemporary art that tries to go even further. Instead of representing dead bodies, the artists simply use them. They could be “mere” dead flies, or giant sharks. Andrzej Pitrus discusses taxidermy, which normally is not considered a proper art, but many “real” artists use this technique as well. Some ethical issues are also discussed, because many of the works are nowadays sold for steep prices. Where does the critical art end, and exploitation start? It is hard to answer this question, which nevertheless sould be asked.https://www.journals.us.edu.pl/index.php/ZOOPHILOLOGICA/article/view/8066sztuka współczesnataksydermiaczęści ciałarynek sztuki
spellingShingle Andrzej Pitrus
Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
Zoophilologica
sztuka współczesna
taksydermia
części ciała
rynek sztuki
title Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
title_full Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
title_fullStr Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
title_full_unstemmed Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
title_short Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
title_sort tego sie nie robi kotu czyli o cialach martwych zwierzat w sztuce najnowszej
topic sztuka współczesna
taksydermia
części ciała
rynek sztuki
url https://www.journals.us.edu.pl/index.php/ZOOPHILOLOGICA/article/view/8066
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