Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory
Throughout their histories, film theory and analytical aesthetics have rarely shown points of contact. This paper attempts to overcome this impasse by showing the suitability of Genette’s aesthetics to film studies while tracing a broader reconnaissance of these misconnections. This essay i...
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| Format: | Article |
| Language: | English |
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Milano University Press
2012-03-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16252 |
| _version_ | 1797305513065578496 |
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| author | Claudio Bisoni |
| author_facet | Claudio Bisoni |
| author_sort | Claudio Bisoni |
| collection | DOAJ |
| description |
Throughout their histories, film theory and analytical aesthetics have rarely shown points of contact. This paper attempts to overcome this impasse by showing the suitability of Genette’s aesthetics to film studies while tracing a broader reconnaissance of these misconnections. This essay is divided into two parts. First, it identifies the reasons that have hindered the inter- actions between analytic aesthetics and film studies. Second, it addresses the compatibility of some of the concepts Genette presents in his magnum opus The Aesthetic Relation to con- temporary film studies.
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| first_indexed | 2024-03-08T00:28:01Z |
| format | Article |
| id | doaj.art-a76441e44def4bfb8a0e8bb327d32cc0 |
| institution | Directory Open Access Journal |
| issn | 2036-461X |
| language | English |
| last_indexed | 2024-03-08T00:28:01Z |
| publishDate | 2012-03-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Cinéma & Cie |
| spelling | doaj.art-a76441e44def4bfb8a0e8bb327d32cc02024-02-15T15:29:08ZengMilano University PressCinéma & Cie2036-461X2012-03-011218Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art TheoryClaudio Bisoni0Alma Mater Studiorum – Università di Bologna Throughout their histories, film theory and analytical aesthetics have rarely shown points of contact. This paper attempts to overcome this impasse by showing the suitability of Genette’s aesthetics to film studies while tracing a broader reconnaissance of these misconnections. This essay is divided into two parts. First, it identifies the reasons that have hindered the inter- actions between analytic aesthetics and film studies. Second, it addresses the compatibility of some of the concepts Genette presents in his magnum opus The Aesthetic Relation to con- temporary film studies. https://riviste.unimi.it/index.php/cinemaetcie/article/view/16252 |
| spellingShingle | Claudio Bisoni Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory Cinéma & Cie |
| title | Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory |
| title_full | Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory |
| title_fullStr | Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory |
| title_full_unstemmed | Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory |
| title_short | Cinema within the Aesthetic Relation: Film Studies and Gérard Genette’s Art Theory |
| title_sort | cinema within the aesthetic relation film studies and gerard genette s art theory |
| url | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16252 |
| work_keys_str_mv | AT claudiobisoni cinemawithintheaestheticrelationfilmstudiesandgerardgenettesarttheory |