Yours in Revolution: Retrofitting Carlos the Jackal
This paper explores the representation of ‘Carlos the Jackal’, the one-time ‘World’s Most Wanted Man’ and ‘International Face of Terror’ – primarily in cin-ema but also encompassing other forms of popular culture and aspects of Cold War policy-making. At the centre of the analysis is Olivier Assayas...
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Format: | Article |
Language: | English |
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Linköping University Electronic Press
2013-09-01
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Series: | Culture Unbound: Journal of Current Cultural Research |
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Online Access: | http://dx.doi.org/10.3384/cu.2000.1525.135451 |
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author | Samuel Thomas |
author_facet | Samuel Thomas |
author_sort | Samuel Thomas |
collection | DOAJ |
description | This paper explores the representation of ‘Carlos the Jackal’, the one-time ‘World’s Most Wanted Man’ and ‘International Face of Terror’ – primarily in cin-ema but also encompassing other forms of popular culture and aspects of Cold War policy-making. At the centre of the analysis is Olivier Assayas’s Carlos (2010), a transnational, five and a half hour film (first screened as a TV mini-series) about the life and times of the infamous militant. Concentrating on the var-ious ways in which Assayas expresses a critical preoccupation with names and faces through complex formal composition, the project examines the play of ab-straction and embodiment that emerges from the narrativisation of terrorist vio-lence. Lastly, it seeks to engage with the hidden implications of Carlos in terms of the intertwined trajectories of formal experimentation and revolutionary politics. |
first_indexed | 2024-12-11T14:28:16Z |
format | Article |
id | doaj.art-a7808ca90c824eb5a879d3719744da01 |
institution | Directory Open Access Journal |
issn | 2000-1525 |
language | English |
last_indexed | 2024-12-11T14:28:16Z |
publishDate | 2013-09-01 |
publisher | Linköping University Electronic Press |
record_format | Article |
series | Culture Unbound: Journal of Current Cultural Research |
spelling | doaj.art-a7808ca90c824eb5a879d3719744da012022-12-22T01:02:35ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252013-09-01545147810.3384/cu.2000.1525.135451Yours in Revolution: Retrofitting Carlos the JackalSamuel ThomasThis paper explores the representation of ‘Carlos the Jackal’, the one-time ‘World’s Most Wanted Man’ and ‘International Face of Terror’ – primarily in cin-ema but also encompassing other forms of popular culture and aspects of Cold War policy-making. At the centre of the analysis is Olivier Assayas’s Carlos (2010), a transnational, five and a half hour film (first screened as a TV mini-series) about the life and times of the infamous militant. Concentrating on the var-ious ways in which Assayas expresses a critical preoccupation with names and faces through complex formal composition, the project examines the play of ab-straction and embodiment that emerges from the narrativisation of terrorist vio-lence. Lastly, it seeks to engage with the hidden implications of Carlos in terms of the intertwined trajectories of formal experimentation and revolutionary politics.http://dx.doi.org/10.3384/cu.2000.1525.135451TerrorismCarlos the JackalnamingfacialityCold WarembodimentAssayas |
spellingShingle | Samuel Thomas Yours in Revolution: Retrofitting Carlos the Jackal Culture Unbound: Journal of Current Cultural Research Terrorism Carlos the Jackal naming faciality Cold War embodiment Assayas |
title | Yours in Revolution: Retrofitting Carlos the Jackal |
title_full | Yours in Revolution: Retrofitting Carlos the Jackal |
title_fullStr | Yours in Revolution: Retrofitting Carlos the Jackal |
title_full_unstemmed | Yours in Revolution: Retrofitting Carlos the Jackal |
title_short | Yours in Revolution: Retrofitting Carlos the Jackal |
title_sort | yours in revolution retrofitting carlos the jackal |
topic | Terrorism Carlos the Jackal naming faciality Cold War embodiment Assayas |
url | http://dx.doi.org/10.3384/cu.2000.1525.135451 |
work_keys_str_mv | AT samuelthomas yoursinrevolutionretrofittingcarlosthejackal |