“Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing

Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, a...

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Main Author: Wallace Belinda Deneen
Format: Article
Language:English
Published: De Gruyter 2022-04-01
Series:Open Cultural Studies
Subjects:
Online Access:https://doi.org/10.1515/culture-2022-0147
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author Wallace Belinda Deneen
author_facet Wallace Belinda Deneen
author_sort Wallace Belinda Deneen
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description Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.
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spelling doaj.art-a7c4ee9c28e14964b54f32a85f85ddf22022-12-22T03:33:36ZengDe GruyterOpen Cultural Studies2451-34742022-04-016110011210.1515/culture-2022-0147“Trust in These Words”: Vision, Voice, and Black Women’s Ways of KnowingWallace Belinda Deneen0Department of English Language and Literature, The University of New Mexico, 376 Humanities Building, MSC03 2170, 1 University of New Mexico, Albuquerque, NM 87131-0001, United States of AmericaUnder the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.https://doi.org/10.1515/culture-2022-0147solangefeministresistancefuturismhip-hop
spellingShingle Wallace Belinda Deneen
“Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
Open Cultural Studies
solange
feminist
resistance
futurism
hip-hop
title “Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
title_full “Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
title_fullStr “Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
title_full_unstemmed “Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
title_short “Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
title_sort trust in these words vision voice and black women s ways of knowing
topic solange
feminist
resistance
futurism
hip-hop
url https://doi.org/10.1515/culture-2022-0147
work_keys_str_mv AT wallacebelindadeneen trustinthesewordsvisionvoiceandblackwomenswaysofknowing