Dead voices and lost sounds: an imagined sonic history
A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a...
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Format: | Article |
Language: | English |
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Universidade Estadual do Paraná
2021-11-01
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Series: | Revista Vortex |
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Online Access: | http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537 |
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author | Adrienne Kapstein |
author_facet | Adrienne Kapstein |
author_sort | Adrienne Kapstein |
collection | DOAJ |
description | A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a unique, relational and socially engaged experience that merged sound art, live performance, illusion, technology, and audience participation. Designed to be completed in partnership with members of the community it sought to serve, the piece invited participation from every audience member through multiple and varied means of engagement.
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first_indexed | 2024-12-18T10:52:17Z |
format | Article |
id | doaj.art-a7c56836305e4441a35a07b2b873ffed |
institution | Directory Open Access Journal |
issn | 2317-9937 |
language | English |
last_indexed | 2024-12-18T10:52:17Z |
publishDate | 2021-11-01 |
publisher | Universidade Estadual do Paraná |
record_format | Article |
series | Revista Vortex |
spelling | doaj.art-a7c56836305e4441a35a07b2b873ffed2022-12-21T21:10:24ZengUniversidade Estadual do ParanáRevista Vortex2317-99372021-11-019211210.33871/23179937.2021.9.2.10Dead voices and lost sounds: an imagined sonic historyAdrienne Kapstein0https://orcid.org/0000-0003-0158-4733Pace University: New York, New York, USA project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a unique, relational and socially engaged experience that merged sound art, live performance, illusion, technology, and audience participation. Designed to be completed in partnership with members of the community it sought to serve, the piece invited participation from every audience member through multiple and varied means of engagement. http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537sound artinstallationperformanceparticipationtheater for all agestheaterhistory |
spellingShingle | Adrienne Kapstein Dead voices and lost sounds: an imagined sonic history Revista Vortex sound art installation performance participation theater for all ages theater history |
title | Dead voices and lost sounds: an imagined sonic history |
title_full | Dead voices and lost sounds: an imagined sonic history |
title_fullStr | Dead voices and lost sounds: an imagined sonic history |
title_full_unstemmed | Dead voices and lost sounds: an imagined sonic history |
title_short | Dead voices and lost sounds: an imagined sonic history |
title_sort | dead voices and lost sounds an imagined sonic history |
topic | sound art installation performance participation theater for all ages theater history |
url | http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537 |
work_keys_str_mv | AT adriennekapstein deadvoicesandlostsoundsanimaginedsonichistory |