Dead voices and lost sounds: an imagined sonic history

A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a...

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Bibliographic Details
Main Author: Adrienne Kapstein
Format: Article
Language:English
Published: Universidade Estadual do Paraná 2021-11-01
Series:Revista Vortex
Subjects:
Online Access:http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537
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author Adrienne Kapstein
author_facet Adrienne Kapstein
author_sort Adrienne Kapstein
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description A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a unique, relational and socially engaged experience that merged sound art, live performance, illusion, technology, and audience participation. Designed to be completed in partnership with members of the community it sought to serve, the piece invited participation from every audience member through multiple and varied means of engagement.
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spelling doaj.art-a7c56836305e4441a35a07b2b873ffed2022-12-21T21:10:24ZengUniversidade Estadual do ParanáRevista Vortex2317-99372021-11-019211210.33871/23179937.2021.9.2.10Dead voices and lost sounds: an imagined sonic historyAdrienne Kapstein0https://orcid.org/0000-0003-0158-4733Pace University: New York, New York, USA project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020. The article is authored by the creator and director of the piece, Adrienne Kapstein. Created for an all-age audience, the piece was a unique, relational and socially engaged experience that merged sound art, live performance, illusion, technology, and audience participation. Designed to be completed in partnership with members of the community it sought to serve, the piece invited participation from every audience member through multiple and varied means of engagement. http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537sound artinstallationperformanceparticipationtheater for all agestheaterhistory
spellingShingle Adrienne Kapstein
Dead voices and lost sounds: an imagined sonic history
Revista Vortex
sound art
installation
performance
participation
theater for all ages
theater
history
title Dead voices and lost sounds: an imagined sonic history
title_full Dead voices and lost sounds: an imagined sonic history
title_fullStr Dead voices and lost sounds: an imagined sonic history
title_full_unstemmed Dead voices and lost sounds: an imagined sonic history
title_short Dead voices and lost sounds: an imagined sonic history
title_sort dead voices and lost sounds an imagined sonic history
topic sound art
installation
performance
participation
theater for all ages
theater
history
url http://periodicos.unespar.edu.br/index.php/vortex/article/view/4537
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