Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson

The article examines the short film Mr Frenhofer and the Minotaur (1949), the unique surrealistic adaptation that the American avant-garde director Sidney Peterson made of Balzac’s famous story Le Chef-d'œuvre inconnu (1837). Firstly, a brief introduction is given to the main elements of the st...

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Main Author: Pablo Zambrano Carballo
Format: Article
Language:English
Published: Universidad de Extremadura 2023-05-01
Series:Anuario de Estudios Filológicos
Subjects:
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author Pablo Zambrano Carballo
author_facet Pablo Zambrano Carballo
author_sort Pablo Zambrano Carballo
collection DOAJ
description The article examines the short film Mr Frenhofer and the Minotaur (1949), the unique surrealistic adaptation that the American avant-garde director Sidney Peterson made of Balzac’s famous story Le Chef-d'œuvre inconnu (1837). Firstly, a brief introduction is given to the main elements of the story and its powerful imprint on the history of art. Then, the film’s two most relevant and innovative contributions are considered: on the one hand, the fusion of Balzac’s story and Picasso’s artistic ideas and, on the other hand, the use of anamorphosis as a technique to turn the film itself into a representation of the kind of art that critics and many artists have seen advocated in Balzac's story and, in particular, in the character and in the mysterious work of the painter Frenhofer, its protagonist.
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spelling doaj.art-a8b0d0835d9c47c89332dc5440b00ebd2023-08-30T12:32:25ZengUniversidad de ExtremaduraAnuario de Estudios Filológicos0210-81782660-73012023-05-0146303322https://doi.org/10.17398/2660-7301.46.303Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney PetersonPablo Zambrano Carballo0https://orcid.org/0000-0001-5728-1753Universidad de HuelvaThe article examines the short film Mr Frenhofer and the Minotaur (1949), the unique surrealistic adaptation that the American avant-garde director Sidney Peterson made of Balzac’s famous story Le Chef-d'œuvre inconnu (1837). Firstly, a brief introduction is given to the main elements of the story and its powerful imprint on the history of art. Then, the film’s two most relevant and innovative contributions are considered: on the one hand, the fusion of Balzac’s story and Picasso’s artistic ideas and, on the other hand, the use of anamorphosis as a technique to turn the film itself into a representation of the kind of art that critics and many artists have seen advocated in Balzac's story and, in particular, in the character and in the mysterious work of the painter Frenhofer, its protagonist. literaturecinemapaintingavant-gardesurrealismanamorphosis
spellingShingle Pablo Zambrano Carballo
Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
Anuario de Estudios Filológicos
literature
cinema
painting
avant-garde
surrealism
anamorphosis
title Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
title_full Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
title_fullStr Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
title_full_unstemmed Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
title_short Un Balzac picassiano, un Picasso balzaquiano: Mr Frenhofer and the Minotaur, de Sidney Peterson
title_sort un balzac picassiano un picasso balzaquiano mr frenhofer and the minotaur de sidney peterson
topic literature
cinema
painting
avant-garde
surrealism
anamorphosis
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