“Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883

Abstract This article proposes an entangled perspective on nineteenth-century anthropological exhibitions. Whereas the existing scholarship mostly focuses on the receiving end of such displays or the agency of indigenous performers, this article argues for more stopovers and contextualization to gra...

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Main Author: Georg Fischer
Format: Article
Language:English
Published: Fundação Oswaldo Cruz, Casa de Oswaldo Cruz
Series:História, Ciências, Saúde: Manguinhos
Subjects:
Online Access:http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-59702019000300969&lng=en&tlng=en
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author Georg Fischer
author_facet Georg Fischer
author_sort Georg Fischer
collection DOAJ
description Abstract This article proposes an entangled perspective on nineteenth-century anthropological exhibitions. Whereas the existing scholarship mostly focuses on the receiving end of such displays or the agency of indigenous performers, this article argues for more stopovers and contextualization to grasp both the ambiguous position of non-metropolitan exhibitors like Brazil and the semantic transformations of traveling exhibits. In 1882, a group of Botocudo Amerindians was first taken to Rio de Janeiro and later put on display in Britain. Their presence in Rio sparked great interest, with lasting effects on the popular entertainment scene. Yet staring at them became a contested issue once they were taken to Europe, since Brazilians were concerned about becoming an object of Europe’s exoticizing voyeurism.
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spelling doaj.art-a8b275c64b4840ada2a18bb35a6ec1032022-12-22T03:12:32ZengFundação Oswaldo Cruz, Casa de Oswaldo CruzHistória, Ciências, Saúde: Manguinhos1678-475826396999210.1590/s0104-59702019000300014S0104-59702019000300969“Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883Georg FischerAbstract This article proposes an entangled perspective on nineteenth-century anthropological exhibitions. Whereas the existing scholarship mostly focuses on the receiving end of such displays or the agency of indigenous performers, this article argues for more stopovers and contextualization to grasp both the ambiguous position of non-metropolitan exhibitors like Brazil and the semantic transformations of traveling exhibits. In 1882, a group of Botocudo Amerindians was first taken to Rio de Janeiro and later put on display in Britain. Their presence in Rio sparked great interest, with lasting effects on the popular entertainment scene. Yet staring at them became a contested issue once they were taken to Europe, since Brazilians were concerned about becoming an object of Europe’s exoticizing voyeurism.http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-59702019000300969&lng=en&tlng=enexposições antropológicascultura popularidentidade nacionalpovos indígenas
spellingShingle Georg Fischer
“Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
História, Ciências, Saúde: Manguinhos
exposições antropológicas
cultura popular
identidade nacional
povos indígenas
title “Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
title_full “Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
title_fullStr “Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
title_full_unstemmed “Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
title_short “Where are the Botocudos?” Anthropological displays and the entanglements of staring, 1882-1883
title_sort where are the botocudos anthropological displays and the entanglements of staring 1882 1883
topic exposições antropológicas
cultura popular
identidade nacional
povos indígenas
url http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-59702019000300969&lng=en&tlng=en
work_keys_str_mv AT georgfischer wherearethebotocudosanthropologicaldisplaysandtheentanglementsofstaring18821883