Bojack Horseman, or the exhaustion of postmodernism and the envisioning of a creative way out
Postmodernism, as a hegemon, has determined the cultural coordinates of audiovisual products in the last decades. Since 2008, some shows have creatively questioned its main principles, such as superficiality, cynicism-bordering irony and the lack of alternative to all this (Francis Fukuyama’s end of...
Main Author: | Raúl Sánchez Saura |
---|---|
Format: | Article |
Language: | English |
Published: |
Vilnius Gediminas Technical University
2019-11-01
|
Series: | Creativity Studies |
Subjects: | |
Online Access: | https://journals.vgtu.lt/index.php/CS/article/view/10845 |
Similar Items
-
“Horsin’ Around”? #MeToo, the Sadcom, and <i>BoJack Horseman</i>
by: Nele Sawallisch
Published: (2021-10-01) -
Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles
by: Laurel Schmuck -
Once in a Season – The Pragmatic Function of Fuck in “BoJack Horseman” TV Show
by: Barbara Grobelna
Published: (2023-02-01) -
Evaluation of the Social Skill Levels of the Horseman Jereed Players with Respect to DiffrentVariables
by: Meriç Eraslan, et al.
Published: (2014-11-01) -
A Note on a Samarian Coin Type. A Royal Horseman?
by: Jarosław Bodzek
Published: (2022-11-01)