The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown

The paper is based on an autoethnographic study of dancing via Zoom over the Covid19 lockdown in Sydney, Australia. Its theoretical framework takes up Iris Marion Young's critical phenomenology and work on domestic space to think about certain focal points of the experience, such as having a ro...

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Main Author: Francesca Ferrer-Best
Format: Article
Language:English
Published: The Ohio State University Libraries 2021-07-01
Series:The International Journal of Screendance
Subjects:
Online Access:https://screendancejournal.org/article/view/7812
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author Francesca Ferrer-Best
author_facet Francesca Ferrer-Best
author_sort Francesca Ferrer-Best
collection DOAJ
description The paper is based on an autoethnographic study of dancing via Zoom over the Covid19 lockdown in Sydney, Australia. Its theoretical framework takes up Iris Marion Young's critical phenomenology and work on domestic space to think about certain focal points of the experience, such as having a room to move in, the floor, and the screen. The aim is to examine how important dance-space is to the experience of dancing, and what the specifics of our current situation have revealed about dancing that were obscured to a greater extent before: for instance, the embeddedness of a dancer in their context and what this means for thinking about privilege, as well as the curatorial work that goes into making domestic space an aestheticized dance-space. In this way, I propose that Zoom classes, as well as being a distinct new phenomenon, also have much to teach us about 'conventional,' pre-Covid dance practice.
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spelling doaj.art-a94d5db83cae422cb1b2d90c0741da502022-12-21T22:08:40ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782021-07-0112010.18061/ijsd.v12i0.78124882The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During LockdownFrancesca Ferrer-Best0Department of Gender and Cultural Studies, University of SydneyThe paper is based on an autoethnographic study of dancing via Zoom over the Covid19 lockdown in Sydney, Australia. Its theoretical framework takes up Iris Marion Young's critical phenomenology and work on domestic space to think about certain focal points of the experience, such as having a room to move in, the floor, and the screen. The aim is to examine how important dance-space is to the experience of dancing, and what the specifics of our current situation have revealed about dancing that were obscured to a greater extent before: for instance, the embeddedness of a dancer in their context and what this means for thinking about privilege, as well as the curatorial work that goes into making domestic space an aestheticized dance-space. In this way, I propose that Zoom classes, as well as being a distinct new phenomenon, also have much to teach us about 'conventional,' pre-Covid dance practice.https://screendancejournal.org/article/view/7812autoethnographyballetdance-spacedomesticphenomenologicalzoom
spellingShingle Francesca Ferrer-Best
The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
The International Journal of Screendance
autoethnography
ballet
dance-space
domestic
phenomenological
zoom
title The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
title_full The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
title_fullStr The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
title_full_unstemmed The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
title_short The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown
title_sort virtual ballet studio a phenomenological enquiry into the domestic as dance space during lockdown
topic autoethnography
ballet
dance-space
domestic
phenomenological
zoom
url https://screendancejournal.org/article/view/7812
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