Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938)
El presente artículo propone un análisis comparativo de las tres únicas películas realizadas por Hollywood sobre la Guerra Civil española mientras esta se desarrollaba: The Last Train From Madrid (James Hogan, 1937), Love Under Fire (George Marshall, 1937) y Blockade (William Dieterle, 1938). A la...
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| Format: | Article |
| Language: | English |
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Universidad de León
2017-12-01
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| Series: | Estudios Humanísticos. Filología |
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| Online Access: | https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/5092 |
| _version_ | 1797644091951939584 |
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| author | Carmen Guiralt Gomar |
| author_facet | Carmen Guiralt Gomar |
| author_sort | Carmen Guiralt Gomar |
| collection | DOAJ |
| description |
El presente artículo propone un análisis comparativo de las tres únicas películas realizadas por Hollywood sobre la Guerra Civil española mientras esta se desarrollaba: The Last Train From Madrid (James Hogan, 1937), Love Under Fire (George Marshall, 1937) y Blockade (William Dieterle, 1938). A la postre, se demostrará que, en contra de lo afirmado por buena parte de la historiografía, las tres –y no únicamente Blockade– efectúan una denuncia de la intervención de las potencias del Eje en la Guerra Civil española.
The purpose of this article is to provide a comparative analysis of the only three films that were made in Hollywood relating to the Spanish Civil War during the period in which it was being waged: The Last Train From Madrid (James Hogan, 1937), Love Under Fire (George Marshall, 1937) and Blockade (William Dieterle, 1938). Lastly, it will be demonstrated that, contrary to what has been asserted by a large num- ber of historians, all three – not only Blockade – express criticism against the Axis powers’ intervention in the Spanish Civil War.
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| first_indexed | 2024-03-11T14:25:26Z |
| format | Article |
| id | doaj.art-a9b1f888dc1d474a9d22694f2d0994a7 |
| institution | Directory Open Access Journal |
| issn | 0213-1382 2444-023X |
| language | English |
| last_indexed | 2024-03-11T14:25:26Z |
| publishDate | 2017-12-01 |
| publisher | Universidad de León |
| record_format | Article |
| series | Estudios Humanísticos. Filología |
| spelling | doaj.art-a9b1f888dc1d474a9d22694f2d0994a72023-10-31T15:37:27ZengUniversidad de LeónEstudios Humanísticos. Filología0213-13822444-023X2017-12-013910.18002/ehf.v0i39.50924555Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938)Carmen Guiralt Gomar0Universidad de Valencia El presente artículo propone un análisis comparativo de las tres únicas películas realizadas por Hollywood sobre la Guerra Civil española mientras esta se desarrollaba: The Last Train From Madrid (James Hogan, 1937), Love Under Fire (George Marshall, 1937) y Blockade (William Dieterle, 1938). A la postre, se demostrará que, en contra de lo afirmado por buena parte de la historiografía, las tres –y no únicamente Blockade– efectúan una denuncia de la intervención de las potencias del Eje en la Guerra Civil española. The purpose of this article is to provide a comparative analysis of the only three films that were made in Hollywood relating to the Spanish Civil War during the period in which it was being waged: The Last Train From Madrid (James Hogan, 1937), Love Under Fire (George Marshall, 1937) and Blockade (William Dieterle, 1938). Lastly, it will be demonstrated that, contrary to what has been asserted by a large num- ber of historians, all three – not only Blockade – express criticism against the Axis powers’ intervention in the Spanish Civil War. https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/5092HollywoodGuerra Civil españolaThe Last Train From Madrid (1937)Love Under Fire (1937)Blockade (1938)Spanish Civil War |
| spellingShingle | Carmen Guiralt Gomar Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) Estudios Humanísticos. Filología Hollywood Guerra Civil española The Last Train From Madrid (1937) Love Under Fire (1937) Blockade (1938) Spanish Civil War |
| title | Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) |
| title_full | Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) |
| title_fullStr | Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) |
| title_full_unstemmed | Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) |
| title_short | Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction films made simultaneously (1937-1938) |
| title_sort | hollywood y la guerra civil espanola analisis de sus tres unicas cintas de ficcion coetaneas 1937 1938 hollywood and the spanish civil war analysis of its only three fiction films made simultaneously 1937 1938 |
| topic | Hollywood Guerra Civil española The Last Train From Madrid (1937) Love Under Fire (1937) Blockade (1938) Spanish Civil War |
| url | https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/5092 |
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