Paper Bag Explosions: A Theory of Becoming from Zora Neale Hurston to Frantz Fanon
Sheila Malone’s work is both digital art piece and critical essay, which explores the queerness and the vibrating machine in light of both recent scholarship on objects and materiality and the author’s own work as a performance artist. Malone’s art cuts across and questions the divides between highb...
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| Format: | Article |
| Language: | English |
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Cultural Studies Association
2015-05-01
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| Series: | Lateral |
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| Online Access: | https://doi.org/10.25158/L4.1.8 |
| Summary: | Sheila Malone’s work is both digital art piece and critical essay, which explores the queerness and the vibrating machine in light of both recent scholarship on objects and materiality and the author’s own work as a performance artist. Malone’s art cuts across and questions the divides between highbrow and lowbrow, permanence and ephemerality, the G-rated and the X-rated. The digital installation and accompanying essay understand the space of inbetweenness as a potential site for queer interventions into existing material orders. |
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| ISSN: | 2469-4053 |