At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s)
The author examines the Soviet stage of the prehistory of Siberian musical folklore. The aim of the study is to reveal new musical collections that would be equivalent to their pre-revolutionary predecessors, analyze folklore sources, and evaluate their historical significance. Small number of recor...
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| Format: | Article |
| Language: | English |
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A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
2019-12-01
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| Series: | Studia Litterarum |
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| Online Access: | http://studlit.ru/images/2019-4-4/Ursegova.pdf |
| _version_ | 1818038053572182016 |
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| author | Natalya A. Ursegova |
| author_facet | Natalya A. Ursegova |
| author_sort | Natalya A. Ursegova |
| collection | DOAJ |
| description | The author examines the Soviet stage of the prehistory of Siberian musical folklore. The aim of the study is to reveal new musical collections that would be equivalent to their pre-revolutionary predecessors, analyze folklore sources, and evaluate their historical significance. Small number of records and publication of folk songs entailed a discussion of the problems of musical ethnography in the pages of the magazine Sibirskaya Zhivaya Starina in the mid-1920s. Unfortunately, in the period from 1926 to 1944, no valuable song collections (with the exception of the publication of prerevolutionary notes by N.P. Protasov) were added to the bibliography of Russian Siberian folklore music. Of special value is theoretical and practical (collecting) activity of G.S. Vinogradov. His works lay a theoretical foundation for the modern, the so-called “typological” trend in the study of Siberian folklore. The article accredits Vinogradov’s methodological approach to the collection of information about Siberian musicians and musical performance that engages ethnographers who do not have professional musical education. |
| first_indexed | 2024-12-10T07:36:37Z |
| format | Article |
| id | doaj.art-aa22e73ac772496786690148109968ae |
| institution | Directory Open Access Journal |
| issn | 2500-4247 2541-8564 |
| language | English |
| last_indexed | 2024-12-10T07:36:37Z |
| publishDate | 2019-12-01 |
| publisher | A.M. Gorky Institute of World Literature of the Russian Academy of Sciences |
| record_format | Article |
| series | Studia Litterarum |
| spelling | doaj.art-aa22e73ac772496786690148109968ae2022-12-22T01:57:25ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642019-12-014428029310.22455/2500-4247-2019-4-4-280-293At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s)Natalya A. Ursegova0Federal State Budgetary Educational Institution of Higher Education “Novosibirsk State Pedagogical University”The author examines the Soviet stage of the prehistory of Siberian musical folklore. The aim of the study is to reveal new musical collections that would be equivalent to their pre-revolutionary predecessors, analyze folklore sources, and evaluate their historical significance. Small number of records and publication of folk songs entailed a discussion of the problems of musical ethnography in the pages of the magazine Sibirskaya Zhivaya Starina in the mid-1920s. Unfortunately, in the period from 1926 to 1944, no valuable song collections (with the exception of the publication of prerevolutionary notes by N.P. Protasov) were added to the bibliography of Russian Siberian folklore music. Of special value is theoretical and practical (collecting) activity of G.S. Vinogradov. His works lay a theoretical foundation for the modern, the so-called “typological” trend in the study of Siberian folklore. The article accredits Vinogradov’s methodological approach to the collection of information about Siberian musicians and musical performance that engages ethnographers who do not have professional musical education.http://studlit.ru/images/2019-4-4/Ursegova.pdfmusical folkloreethnographyhistorymusical notationcollectionpublicationfolklore musical creativitymusical performance |
| spellingShingle | Natalya A. Ursegova At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) Studia Litterarum musical folklore ethnography history musical notation collection publication folklore musical creativity musical performance |
| title | At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) |
| title_full | At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) |
| title_fullStr | At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) |
| title_full_unstemmed | At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) |
| title_short | At the Origins of the Russophone Musical Folklore of Siberia (1920s–1940s) |
| title_sort | at the origins of the russophone musical folklore of siberia 1920s 1940s |
| topic | musical folklore ethnography history musical notation collection publication folklore musical creativity musical performance |
| url | http://studlit.ru/images/2019-4-4/Ursegova.pdf |
| work_keys_str_mv | AT natalyaaursegova attheoriginsoftherussophonemusicalfolkloreofsiberia1920s1940s |