Oil painting on tinplate by Francisco José Resende

This article focuses on the study of execution techniques, material composition and condition of three oil paintings on tinplate – a thin sheet of steel coated with tin - by the Portuguese painter Francisco José Resende (1825-1893). Although the choice to paint on a metallic support was not very com...

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Main Author: Ana Rita Veiga
Format: Article
Language:English
Published: Association CeROArt 2010-11-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/1775
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author Ana Rita Veiga
author_facet Ana Rita Veiga
author_sort Ana Rita Veiga
collection DOAJ
description This article focuses on the study of execution techniques, material composition and condition of three oil paintings on tinplate – a thin sheet of steel coated with tin - by the Portuguese painter Francisco José Resende (1825-1893). Although the choice to paint on a metallic support was not very common in the nineteenth century, the painter executed several works on this support. The comparative results focus on Francisco Resende’s technique of execution, the materials used in the paint layers and on the support of the three works which are being studied. Although executed in the same period, they show different conservation problems - namely delamination and blistering of the paint layers, and also corrosion of the support.
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spelling doaj.art-aa7793db0017403d8579e2fa1bcff80f2022-12-21T19:50:06ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-11-0110.4000/ceroart.1775Oil painting on tinplate by Francisco José ResendeAna Rita VeigaThis article focuses on the study of execution techniques, material composition and condition of three oil paintings on tinplate – a thin sheet of steel coated with tin - by the Portuguese painter Francisco José Resende (1825-1893). Although the choice to paint on a metallic support was not very common in the nineteenth century, the painter executed several works on this support. The comparative results focus on Francisco Resende’s technique of execution, the materials used in the paint layers and on the support of the three works which are being studied. Although executed in the same period, they show different conservation problems - namely delamination and blistering of the paint layers, and also corrosion of the support.http://journals.openedition.org/ceroart/1775artconservationrestorationsciencescientific analyses
spellingShingle Ana Rita Veiga
Oil painting on tinplate by Francisco José Resende
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
art
conservation
restoration
science
scientific analyses
title Oil painting on tinplate by Francisco José Resende
title_full Oil painting on tinplate by Francisco José Resende
title_fullStr Oil painting on tinplate by Francisco José Resende
title_full_unstemmed Oil painting on tinplate by Francisco José Resende
title_short Oil painting on tinplate by Francisco José Resende
title_sort oil painting on tinplate by francisco jose resende
topic art
conservation
restoration
science
scientific analyses
url http://journals.openedition.org/ceroart/1775
work_keys_str_mv AT anaritaveiga oilpaintingontinplatebyfranciscojoseresende