Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste

In course of the long-term research on the architectural decoration of Christian churches in Abkhazia and Southern Ossetia, there has been gathered a great number of important materials (that help to correct the date of some groups of artefacts and to identify some new subjects, as well as to put th...

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Main Authors: Ekaterina Yu. Endoltseva, Nikolay I. Bystritskiy
Format: Article
Language:deu
Published: Artes 2022-11-01
Series:Anastasis: Research in Medieval Culture and Art
Subjects:
Online Access:https://anastasis-review.ro/wp-content/uploads/ARMCA-2022-IX-2-01_Ekaterina-Endoltseva.pdf
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author Ekaterina Yu. Endoltseva
Nikolay I. Bystritskiy
author_facet Ekaterina Yu. Endoltseva
Nikolay I. Bystritskiy
author_sort Ekaterina Yu. Endoltseva
collection DOAJ
description In course of the long-term research on the architectural decoration of Christian churches in Abkhazia and Southern Ossetia, there has been gathered a great number of important materials (that help to correct the date of some groups of artefacts and to identify some new subjects, as well as to put them in the artistic context of the life of the Byzantine Empire and its periphery in the period between the 10th and the beginning of the 11th centuries). However, lapidary collections that originate from these regions have not been studied from the point of view of function and its reliefs. It is necessary to separate the fragments of the altar barriers from the ones of the facades of the Christian churches. Studying of the analogies from the neighboring regions (modern territory of Georgia, Armenia, Asia Minor, other parts of the Byzantine Empire) and using the modern methods of research (3D reconstructions) could permit to visualize many principal monuments (small forms and monumental decoration) that originate from the above-mentioned regions. Such research is important for the studying of the artistic culture of these regions in the period of the genesis of the self-conscience of their tribes (end of the 9th cent. – beginning of the 11th cent.) and their separation from the political and cultural influence of the hegemon, that is the Byzantine Empire. Reconstruction of some monuments (altar barriers, decorative system of the facades) and drafting of the typological lines could afford us to demonstrate the meaning of the two regions for the Christian culture of the Southern Caucasus in the period concerned. It is also important to show their interrelations with the neighboring territories. Actuality of the problem is proved by the active research led, for example, in Georgia, Russian Federation, France, etc. Originality of research is proved by the fact that small forms and facade decoration of the Christian churches in Abkhazia and Southern Ossetia in the period in question have not been systematically studied yet. The previous studies focused on the paleo Christian period and the dates supposed for some key monuments have been essentially corrected by recent research. Meanwhile, this territory (Western Georgia, passes between KarachayCherkessia, Kabardino-Balkaria, Abkhazia, Southern Ossetia and Racha) played a decisive role in the formation of the original type of medieval artistic Christian conscience.
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spelling doaj.art-aa8068a5abde48328c3a297556c5ced42024-04-01T11:37:23ZdeuArtesAnastasis: Research in Medieval Culture and Art2392-862X2392-94722022-11-019292110.35218/armca.2022.2.01Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative SysteEkaterina Yu. Endoltseva0https://orcid.org/0000-0003-1558-2819Nikolay I. Bystritskiy1https://orcid.org/0000-0001-9002-4804Institute of Oriental Studies of the Russian Academy of Sciences, Moscow, Russia Institute of Oriental Studies of the Russian Academy of Sciences, Moscow, RussiaIn course of the long-term research on the architectural decoration of Christian churches in Abkhazia and Southern Ossetia, there has been gathered a great number of important materials (that help to correct the date of some groups of artefacts and to identify some new subjects, as well as to put them in the artistic context of the life of the Byzantine Empire and its periphery in the period between the 10th and the beginning of the 11th centuries). However, lapidary collections that originate from these regions have not been studied from the point of view of function and its reliefs. It is necessary to separate the fragments of the altar barriers from the ones of the facades of the Christian churches. Studying of the analogies from the neighboring regions (modern territory of Georgia, Armenia, Asia Minor, other parts of the Byzantine Empire) and using the modern methods of research (3D reconstructions) could permit to visualize many principal monuments (small forms and monumental decoration) that originate from the above-mentioned regions. Such research is important for the studying of the artistic culture of these regions in the period of the genesis of the self-conscience of their tribes (end of the 9th cent. – beginning of the 11th cent.) and their separation from the political and cultural influence of the hegemon, that is the Byzantine Empire. Reconstruction of some monuments (altar barriers, decorative system of the facades) and drafting of the typological lines could afford us to demonstrate the meaning of the two regions for the Christian culture of the Southern Caucasus in the period concerned. It is also important to show their interrelations with the neighboring territories. Actuality of the problem is proved by the active research led, for example, in Georgia, Russian Federation, France, etc. Originality of research is proved by the fact that small forms and facade decoration of the Christian churches in Abkhazia and Southern Ossetia in the period in question have not been systematically studied yet. The previous studies focused on the paleo Christian period and the dates supposed for some key monuments have been essentially corrected by recent research. Meanwhile, this territory (Western Georgia, passes between KarachayCherkessia, Kabardino-Balkaria, Abkhazia, Southern Ossetia and Racha) played a decisive role in the formation of the original type of medieval artistic Christian conscience.https://anastasis-review.ro/wp-content/uploads/ARMCA-2022-IX-2-01_Ekaterina-Endoltseva.pdfarchitectural decorationreliefs3d reconstructionbyzantiumperipheryaltar barrierfacade decorationdecorative schemechristian orientblack sea region
spellingShingle Ekaterina Yu. Endoltseva
Nikolay I. Bystritskiy
Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
Anastasis: Research in Medieval Culture and Art
architectural decoration
reliefs
3d reconstruction
byzantium
periphery
altar barrier
facade decoration
decorative scheme
christian orient
black sea region
title Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
title_full Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
title_fullStr Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
title_full_unstemmed Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
title_short Architectural Decoration of Christian Churches in Some Regions of Caucasus between 10th and 11thCenturies: An Attempt to Reconstruct the Decorative Syste
title_sort architectural decoration of christian churches in some regions of caucasus between 10th and 11thcenturies an attempt to reconstruct the decorative syste
topic architectural decoration
reliefs
3d reconstruction
byzantium
periphery
altar barrier
facade decoration
decorative scheme
christian orient
black sea region
url https://anastasis-review.ro/wp-content/uploads/ARMCA-2022-IX-2-01_Ekaterina-Endoltseva.pdf
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