Peregrinazioni dell’aura: Tre forme di vita postuma
The essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporar...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Rosenberg & Sellier
2013-03-01
|
Series: | Rivista di Estetica |
Online Access: | http://journals.openedition.org/estetica/1599 |
_version_ | 1819141859694346240 |
---|---|
author | Massimo Carboni |
author_facet | Massimo Carboni |
author_sort | Massimo Carboni |
collection | DOAJ |
description | The essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporary figure of the Artist who, as a charismatic magician, gives artistic status to whatever object or event. On a second plane, we can find the auratic fetishism and enchantment whom nowadays the Technique is surrounded by, so that a sort of ultratechnological hypnosis is approaching our times. The third issue is concerning a careful re-reading of the notion of Verweilen (lingering, hesitation) taken from Hans-Georg Gadamer’s aesthetics and made use of for an examination of the relationship between Art and Life. |
first_indexed | 2024-12-22T12:01:09Z |
format | Article |
id | doaj.art-aaa19a86896c4cf7a79ee765cf7c062c |
institution | Directory Open Access Journal |
issn | 0035-6212 2421-5864 |
language | English |
last_indexed | 2024-12-22T12:01:09Z |
publishDate | 2013-03-01 |
publisher | Rosenberg & Sellier |
record_format | Article |
series | Rivista di Estetica |
spelling | doaj.art-aaa19a86896c4cf7a79ee765cf7c062c2022-12-21T18:26:36ZengRosenberg & SellierRivista di Estetica0035-62122421-58642013-03-0152172510.4000/estetica.1599Peregrinazioni dell’aura: Tre forme di vita postumaMassimo CarboniThe essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporary figure of the Artist who, as a charismatic magician, gives artistic status to whatever object or event. On a second plane, we can find the auratic fetishism and enchantment whom nowadays the Technique is surrounded by, so that a sort of ultratechnological hypnosis is approaching our times. The third issue is concerning a careful re-reading of the notion of Verweilen (lingering, hesitation) taken from Hans-Georg Gadamer’s aesthetics and made use of for an examination of the relationship between Art and Life.http://journals.openedition.org/estetica/1599 |
spellingShingle | Massimo Carboni Peregrinazioni dell’aura: Tre forme di vita postuma Rivista di Estetica |
title | Peregrinazioni dell’aura: Tre forme di vita postuma |
title_full | Peregrinazioni dell’aura: Tre forme di vita postuma |
title_fullStr | Peregrinazioni dell’aura: Tre forme di vita postuma |
title_full_unstemmed | Peregrinazioni dell’aura: Tre forme di vita postuma |
title_short | Peregrinazioni dell’aura: Tre forme di vita postuma |
title_sort | peregrinazioni dell aura tre forme di vita postuma |
url | http://journals.openedition.org/estetica/1599 |
work_keys_str_mv | AT massimocarboni peregrinazionidellauratreformedivitapostuma |