Peregrinazioni dell’aura: Tre forme di vita postuma

The essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporar...

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Main Author: Massimo Carboni
Format: Article
Language:English
Published: Rosenberg & Sellier 2013-03-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1599
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author Massimo Carboni
author_facet Massimo Carboni
author_sort Massimo Carboni
collection DOAJ
description The essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporary figure of the Artist who, as a charismatic magician, gives artistic status to whatever object or event. On a second plane, we can find the auratic fetishism and enchantment whom nowadays the Technique is surrounded by, so that a sort of ultratechnological hypnosis is approaching our times. The third issue is concerning a careful re-reading of the notion of Verweilen (lingering, hesitation) taken from Hans-Georg Gadamer’s aesthetics and made use of for an examination of the relationship between Art and Life.
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spelling doaj.art-aaa19a86896c4cf7a79ee765cf7c062c2022-12-21T18:26:36ZengRosenberg & SellierRivista di Estetica0035-62122421-58642013-03-0152172510.4000/estetica.1599Peregrinazioni dell’aura: Tre forme di vita postumaMassimo CarboniThe essay tries to individuate three grounds on which a certain historical persistence of the aura − after its Walter Benjamin’s declaration of death − can be noticed and synthetically analyzed. On a first level, one can recall the intertwining of the sphere of the Sacred with the modern-contemporary figure of the Artist who, as a charismatic magician, gives artistic status to whatever object or event. On a second plane, we can find the auratic fetishism and enchantment whom nowadays the Technique is surrounded by, so that a sort of ultratechnological hypnosis is approaching our times. The third issue is concerning a careful re-reading of the notion of Verweilen (lingering, hesitation) taken from Hans-Georg Gadamer’s aesthetics and made use of for an examination of the relationship between Art and Life.http://journals.openedition.org/estetica/1599
spellingShingle Massimo Carboni
Peregrinazioni dell’aura: Tre forme di vita postuma
Rivista di Estetica
title Peregrinazioni dell’aura: Tre forme di vita postuma
title_full Peregrinazioni dell’aura: Tre forme di vita postuma
title_fullStr Peregrinazioni dell’aura: Tre forme di vita postuma
title_full_unstemmed Peregrinazioni dell’aura: Tre forme di vita postuma
title_short Peregrinazioni dell’aura: Tre forme di vita postuma
title_sort peregrinazioni dell aura tre forme di vita postuma
url http://journals.openedition.org/estetica/1599
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