Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente

In this paper Miguel de Molinos’ Guía espiritual is studied from María Zambranoand José Ángel Valente’s studies. The rol that the concept of nothingnesshas in Molinos’ works as a mean of reaching the divinity and the importance ofthe Guía as a literary genre are also explored. The Guía espiritual is...

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Main Author: Tatiana Aguilar-Álvarez Bay
Format: Article
Language:English
Published: Universidad Nacional Autónoma de México 2015-02-01
Series:Acta Poética
Subjects:
Online Access:https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/441
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author Tatiana Aguilar-Álvarez Bay
author_facet Tatiana Aguilar-Álvarez Bay
author_sort Tatiana Aguilar-Álvarez Bay
collection DOAJ
description In this paper Miguel de Molinos’ Guía espiritual is studied from María Zambranoand José Ángel Valente’s studies. The rol that the concept of nothingnesshas in Molinos’ works as a mean of reaching the divinity and the importance ofthe Guía as a literary genre are also explored. The Guía espiritual is seen as amanual of practical learning that seeks self-knowledge that opposes the merelyscholastic knowledge. Moreover, the Molino’s historic luck is contrasted withthe one that had san Juan de la Cruz.
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spelling doaj.art-aaa9171d3b334bfdb73e3fbd3c835fbb2023-01-03T11:10:23ZengUniversidad Nacional Autónoma de MéxicoActa Poética0185-30822015-02-0135210.19130/iifl.ap.2014.2.441440Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and ValenteTatiana Aguilar-Álvarez Bay0INSTITUTO DE INVSTIGACIONES FILOLÓGICASIn this paper Miguel de Molinos’ Guía espiritual is studied from María Zambranoand José Ángel Valente’s studies. The rol that the concept of nothingnesshas in Molinos’ works as a mean of reaching the divinity and the importance ofthe Guía as a literary genre are also explored. The Guía espiritual is seen as amanual of practical learning that seeks self-knowledge that opposes the merelyscholastic knowledge. Moreover, the Molino’s historic luck is contrasted withthe one that had san Juan de la Cruz.https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/441GuíaGuía espiritualla nadaMiguel de MolinosMaría ZambranoJosé Ángel Valentemística
spellingShingle Tatiana Aguilar-Álvarez Bay
Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
Acta Poética
Guía
Guía espiritual
la nada
Miguel de Molinos
María Zambrano
José Ángel Valente
mística
title Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
title_full Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
title_fullStr Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
title_full_unstemmed Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
title_short Nothingness as a Creative Excercise. Molinos’ Guía espiritual in Zambrano and Valente
title_sort nothingness as a creative excercise molinos guia espiritual in zambrano and valente
topic Guía
Guía espiritual
la nada
Miguel de Molinos
María Zambrano
José Ángel Valente
mística
url https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/441
work_keys_str_mv AT tatianaaguilaralvarezbay nothingnessasacreativeexcercisemolinosguiaespiritualinzambranoandvalente