Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses

This work proposes to observe the appropriation of the myth of the femme fatale, the great guiding myth of French decadence and its system of symbols in the Brazilian imaginary. Three Brazilian heroines, which fall under the theme of fatality in women, constitute the main corpus of this research: th...

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Main Author: Assunção Pesché Luísa
Format: Article
Language:English
Published: Babes-Bolyai University, Cluj-Napoca 2022-12-01
Series:Caietele Echinox
Subjects:
Online Access:http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.291-308.pdf
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author Assunção Pesché Luísa
author_facet Assunção Pesché Luísa
author_sort Assunção Pesché Luísa
collection DOAJ
description This work proposes to observe the appropriation of the myth of the femme fatale, the great guiding myth of French decadence and its system of symbols in the Brazilian imaginary. Three Brazilian heroines, which fall under the theme of fatality in women, constitute the main corpus of this research: the oblique Capitu, the heroine of Machado de Assis in the novel Dom Casmurro (1900); Gabriela, la mulâtresse de Gabriela, cravo e canela (1958) by Jorge Amado, and Hilda Furacão, the prostitute from the homonymous novel by Roberto Drummond (1991). The echoes of the myth allow us to see that these heroines are fatal women par excellence, their figures moving within an evolving patriarchal society in Brazil.
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spelling doaj.art-ac156f8301754559ba8962ea327035872023-09-25T11:54:43ZengBabes-Bolyai University, Cluj-NapocaCaietele Echinox1582-960X2022-12-014329130810.24193/cechinox.2022.43.20Les héroïnes (fatales) brésiliennes : archétypes et métamorphosesAssunção Pesché Luísa0Université Sorbonne Nouvelle Paris 3This work proposes to observe the appropriation of the myth of the femme fatale, the great guiding myth of French decadence and its system of symbols in the Brazilian imaginary. Three Brazilian heroines, which fall under the theme of fatality in women, constitute the main corpus of this research: the oblique Capitu, the heroine of Machado de Assis in the novel Dom Casmurro (1900); Gabriela, la mulâtresse de Gabriela, cravo e canela (1958) by Jorge Amado, and Hilda Furacão, the prostitute from the homonymous novel by Roberto Drummond (1991). The echoes of the myth allow us to see that these heroines are fatal women par excellence, their figures moving within an evolving patriarchal society in Brazil.http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.291-308.pdfbrasilian literaturemachado de assisjorge amadoroberto drummondfemme fatalemythmetamorphosis
spellingShingle Assunção Pesché Luísa
Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
Caietele Echinox
brasilian literature
machado de assis
jorge amado
roberto drummond
femme fatale
myth
metamorphosis
title Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
title_full Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
title_fullStr Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
title_full_unstemmed Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
title_short Les héroïnes (fatales) brésiliennes : archétypes et métamorphoses
title_sort les heroines fatales bresiliennes archetypes et metamorphoses
topic brasilian literature
machado de assis
jorge amado
roberto drummond
femme fatale
myth
metamorphosis
url http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.291-308.pdf
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