Fluidités victoriennes

The earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads...

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Main Author: Béatrice Laurent
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2010-06-01
Series:Cahiers Victoriens et Edouardiens
Online Access:http://journals.openedition.org/cve/2856
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author Béatrice Laurent
author_facet Béatrice Laurent
author_sort Béatrice Laurent
collection DOAJ
description The earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads and drowned ladies. The culturally-constructed concept of a « natural » femininity defined by its fluidity and absorbency makes women the source at the same time as the container of vital fluids and serves the dominant discourse on gender as it conversely establishes masculine substantiality and impermeableness.This paper aims at examining a corpus of paintings illustrating the feminisation of water, and at suggesting interpretations in the light of contemporary, and sometimes fluctuating, scientific, medical or political discourses.
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spelling doaj.art-ac55df238b594210b22cf131d0e156242022-12-22T00:44:26ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-06-017121122810.4000/cve.2856Fluidités victoriennesBéatrice LaurentThe earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads and drowned ladies. The culturally-constructed concept of a « natural » femininity defined by its fluidity and absorbency makes women the source at the same time as the container of vital fluids and serves the dominant discourse on gender as it conversely establishes masculine substantiality and impermeableness.This paper aims at examining a corpus of paintings illustrating the feminisation of water, and at suggesting interpretations in the light of contemporary, and sometimes fluctuating, scientific, medical or political discourses.http://journals.openedition.org/cve/2856
spellingShingle Béatrice Laurent
Fluidités victoriennes
Cahiers Victoriens et Edouardiens
title Fluidités victoriennes
title_full Fluidités victoriennes
title_fullStr Fluidités victoriennes
title_full_unstemmed Fluidités victoriennes
title_short Fluidités victoriennes
title_sort fluidites victoriennes
url http://journals.openedition.org/cve/2856
work_keys_str_mv AT beatricelaurent fluiditesvictoriennes