Chinese Prayer Chant to the Goddess of Fertility

The article examines the prayer chant to the Goddess of Fertility performed by a blind singer and accompanied by the stringed instrument banghu and foot castanets in the temple of the Spirit of the Tanshan Dong Yue mountain, in Puxian county Shangxi province of the Republic of China. The video of th...

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Main Authors: Natalya V. Zakharova, Vladimir N. Klyaus, Liudmila P. Makhova
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2017-12-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2017-2-4/Zakharova-Klyaus-Makhova.pdf
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author Natalya V. Zakharova
Vladimir N. Klyaus
Liudmila P. Makhova
author_facet Natalya V. Zakharova
Vladimir N. Klyaus
Liudmila P. Makhova
author_sort Natalya V. Zakharova
collection DOAJ
description The article examines the prayer chant to the Goddess of Fertility performed by a blind singer and accompanied by the stringed instrument banghu and foot castanets in the temple of the Spirit of the Tanshan Dong Yue mountain, in Puxian county Shangxi province of the Republic of China. The video of the chant was recorded in April 2011, during the days before the Temple festival in honor of Dong Yue, a tradition that has been revived in the modern China. We publish the text of the chant not only in the Russian translation but also in Chinese. There are three graphic variants of the Chinese text presented — in Chinese characters, in standardized Pinyin, and in transcribed Pinyin that gives an idea of the actual pronunciation and allows the reader to trace dialectical specificity of the song. The article includes the music of both the chant and the instrumental accompaniment together with their ethno-musicological characteristics. The musical structure of the instrument and the modal specificity attribute this piece to the musical style of Northern China. The Authors analyze the verse and the strafica of the chant. They argue that its metrical structure consists of couplets (except for the last three line stanza), with instrumental wagering played in between that is characteristic of the ancient Chinese lyrics. The analysis of the text’s contents and imagery reveals that it reflects popular notions of Songzi nannan, the Goddess of Fertility. It also shows that the chant dates back to the feudal China: it predicts the fate of the future son of the young couple that ordered the chant by describing his future life of the “official” and the “noble man,” the image that has been developed on the basis of Confucian canons within the two millennia of Chinese history.
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spelling doaj.art-ac8195afc5e24db7bf90b996f18d1e002022-12-22T03:04:48ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642017-12-012429032510.22455/2500-4247-2017-2-4-290-325Chinese Prayer Chant to the Goddess of FertilityNatalya V. Zakharova 0Vladimir N. Klyaus1Liudmila P. Makhova2A.M. Gorky Institute of World Literature of the Russian Academy of SciencesA.M. Gorky Institute of World Literature of the Russian Academy of SciencesThchaikovsky Moscow State ConservatoryThe article examines the prayer chant to the Goddess of Fertility performed by a blind singer and accompanied by the stringed instrument banghu and foot castanets in the temple of the Spirit of the Tanshan Dong Yue mountain, in Puxian county Shangxi province of the Republic of China. The video of the chant was recorded in April 2011, during the days before the Temple festival in honor of Dong Yue, a tradition that has been revived in the modern China. We publish the text of the chant not only in the Russian translation but also in Chinese. There are three graphic variants of the Chinese text presented — in Chinese characters, in standardized Pinyin, and in transcribed Pinyin that gives an idea of the actual pronunciation and allows the reader to trace dialectical specificity of the song. The article includes the music of both the chant and the instrumental accompaniment together with their ethno-musicological characteristics. The musical structure of the instrument and the modal specificity attribute this piece to the musical style of Northern China. The Authors analyze the verse and the strafica of the chant. They argue that its metrical structure consists of couplets (except for the last three line stanza), with instrumental wagering played in between that is characteristic of the ancient Chinese lyrics. The analysis of the text’s contents and imagery reveals that it reflects popular notions of Songzi nannan, the Goddess of Fertility. It also shows that the chant dates back to the feudal China: it predicts the fate of the future son of the young couple that ordered the chant by describing his future life of the “official” and the “noble man,” the image that has been developed on the basis of Confucian canons within the two millennia of Chinese history.http://studlit.ru/images/2017-2-4/Zakharova-Klyaus-Makhova.pdfChinese folkloreworship songschildbed ritualsSun-tzu NánchāngGoddess of Fertility
spellingShingle Natalya V. Zakharova
Vladimir N. Klyaus
Liudmila P. Makhova
Chinese Prayer Chant to the Goddess of Fertility
Studia Litterarum
Chinese folklore
worship songs
childbed rituals
Sun-tzu Nánchāng
Goddess of Fertility
title Chinese Prayer Chant to the Goddess of Fertility
title_full Chinese Prayer Chant to the Goddess of Fertility
title_fullStr Chinese Prayer Chant to the Goddess of Fertility
title_full_unstemmed Chinese Prayer Chant to the Goddess of Fertility
title_short Chinese Prayer Chant to the Goddess of Fertility
title_sort chinese prayer chant to the goddess of fertility
topic Chinese folklore
worship songs
childbed rituals
Sun-tzu Nánchāng
Goddess of Fertility
url http://studlit.ru/images/2017-2-4/Zakharova-Klyaus-Makhova.pdf
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AT liudmilapmakhova chineseprayerchanttothegoddessoffertility