Picturing, Pledges and Other Scripted Acts: Performance (In) Art

This essay re-examines several examples of non-performance based artworks from the perspective and history of performance art. For instance, the photomontages I produced as an undergrad art student were based on repeated acts of stealing posters from their public sites on the street between my house...

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Main Author: Dave Beech
Format: Article
Language:English
Published: MDPI AG 2023-03-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/12/2/60
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author Dave Beech
author_facet Dave Beech
author_sort Dave Beech
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description This essay re-examines several examples of non-performance based artworks from the perspective and history of performance art. For instance, the photomontages I produced as an undergrad art student were based on repeated acts of stealing posters from their public sites on the street between my house and the college. Later, while working collaboratively with Mark Hutchinson in Manchester and London, we made photograms and paintings of scenes that we enacted on the street (striking a match, taking a flag for a walk). Years later, as a solo artist again, I produced a body of work in the form of slide presentations that consisted of photographs of me dressed in homemade costumes that cast me as a monster. In my work with the Freee art collective, we used slogans, our own bodies, costumes and props to give material reality to slogans that we treated as scripts. We wrote manifestos and staged events in which participants read. So, while the forms of my work are image based, the rationale is typically tied to the techniques and values of performance.
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spelling doaj.art-ac8a32e69acc44009999a16d6f7118332023-11-17T18:15:39ZengMDPI AGArts2076-07522023-03-011226010.3390/arts12020060Picturing, Pledges and Other Scripted Acts: Performance (In) ArtDave Beech0School of Design, University of the Arts London, London WC1V 7EY, UKThis essay re-examines several examples of non-performance based artworks from the perspective and history of performance art. For instance, the photomontages I produced as an undergrad art student were based on repeated acts of stealing posters from their public sites on the street between my house and the college. Later, while working collaboratively with Mark Hutchinson in Manchester and London, we made photograms and paintings of scenes that we enacted on the street (striking a match, taking a flag for a walk). Years later, as a solo artist again, I produced a body of work in the form of slide presentations that consisted of photographs of me dressed in homemade costumes that cast me as a monster. In my work with the Freee art collective, we used slogans, our own bodies, costumes and props to give material reality to slogans that we treated as scripts. We wrote manifestos and staged events in which participants read. So, while the forms of my work are image based, the rationale is typically tied to the techniques and values of performance.https://www.mdpi.com/2076-0752/12/2/60picturingscriptpledgewalkMarchslogan
spellingShingle Dave Beech
Picturing, Pledges and Other Scripted Acts: Performance (In) Art
Arts
picturing
script
pledge
walk
March
slogan
title Picturing, Pledges and Other Scripted Acts: Performance (In) Art
title_full Picturing, Pledges and Other Scripted Acts: Performance (In) Art
title_fullStr Picturing, Pledges and Other Scripted Acts: Performance (In) Art
title_full_unstemmed Picturing, Pledges and Other Scripted Acts: Performance (In) Art
title_short Picturing, Pledges and Other Scripted Acts: Performance (In) Art
title_sort picturing pledges and other scripted acts performance in art
topic picturing
script
pledge
walk
March
slogan
url https://www.mdpi.com/2076-0752/12/2/60
work_keys_str_mv AT davebeech picturingpledgesandotherscriptedactsperformanceinart