The Actor-Document: traits of a poetics that challenges the limits between presence and representation
During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida de...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2021-04-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/108480 |