A Glance Upon Material for the Spine, by Steve Paxton

The present research highlights some key points from Material for the Spine, by Steve Paxton, to establish links between Paxton’s work and positions on phenomena of sensation and perception in the context of contemporary performance. It also analyzes the relationship between internal body sensation...

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Main Authors: Mayana Marengo, Zilá Muniz (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2017-12-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/73899
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author Mayana Marengo
Zilá Muniz (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil)
author_facet Mayana Marengo
Zilá Muniz (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil)
author_sort Mayana Marengo
collection DOAJ
description The present research highlights some key points from Material for the Spine, by Steve Paxton, to establish links between Paxton’s work and positions on phenomena of sensation and perception in the context of contemporary performance. It also analyzes the relationship between internal body sensation and the design of the moving body, which Paxton defines as form. From these concepts, the present paper discusses the artistic power of this approach, based on a scenic practice which aim is to create dance.
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spelling doaj.art-aca5ed86826d4189b53602a4c7d2b6cb2022-12-22T04:27:09ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602017-12-0181A Glance Upon Material for the Spine, by Steve PaxtonMayana Marengo0Zilá Muniz (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil)Universidade Estadual de Santa Catarina – UDESC, Florianópolis/SCThe present research highlights some key points from Material for the Spine, by Steve Paxton, to establish links between Paxton’s work and positions on phenomena of sensation and perception in the context of contemporary performance. It also analyzes the relationship between internal body sensation and the design of the moving body, which Paxton defines as form. From these concepts, the present paper discusses the artistic power of this approach, based on a scenic practice which aim is to create dance.https://seer.ufrgs.br/index.php/presenca/article/view/73899Body AwarenessScenic performativityIterativity
spellingShingle Mayana Marengo
Zilá Muniz (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil)
A Glance Upon Material for the Spine, by Steve Paxton
Revista Brasileira de Estudos da Presença
Body Awareness
Scenic performativity
Iterativity
title A Glance Upon Material for the Spine, by Steve Paxton
title_full A Glance Upon Material for the Spine, by Steve Paxton
title_fullStr A Glance Upon Material for the Spine, by Steve Paxton
title_full_unstemmed A Glance Upon Material for the Spine, by Steve Paxton
title_short A Glance Upon Material for the Spine, by Steve Paxton
title_sort glance upon material for the spine by steve paxton
topic Body Awareness
Scenic performativity
Iterativity
url https://seer.ufrgs.br/index.php/presenca/article/view/73899
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