The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»

<p>Despite its productivity in the fields of criticism and art in the last decades, <em>silence</em> is not an emerging problem, but a phenomenon that already appears in the dawn of culture, as it can be proven by diverse cosmogonies. In this paper, there will be an attempt to anal...

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Main Author: Javier HELGUETA MANSO
Format: Article
Language:Catalan
Published: Universidad de Salamanca 2016-03-01
Series:1616
Subjects:
Online Access:https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14045
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author Javier HELGUETA MANSO
author_facet Javier HELGUETA MANSO
author_sort Javier HELGUETA MANSO
collection DOAJ
description <p>Despite its productivity in the fields of criticism and art in the last decades, <em>silence</em> is not an emerging problem, but a phenomenon that already appears in the dawn of culture, as it can be proven by diverse cosmogonies. In this paper, there will be an attempt to analyze silence around <em>Poema del Cante Jondo </em>to demonstrate its presence in García Lorca, and to try to raise a much-needed empirical methodology to literary studies. The methodology will depart from the concept of <em>listening</em>, to rebuild the poem’s auditory sensory repertory and its relationship to the imaginary. The result will be the discovery of a mythical chronotope of silence, the night in the space of nature. In the framework of cosmic silence, a progressive articulation of language will arise, with a journey that begins in a sigh and culminates with the most sophisticated forms of chants and dialogue.</p>
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spelling doaj.art-acf4580d446b4feb873979bb8d87ce552022-12-21T17:56:45ZcatUniversidad de Salamanca16160210-72872445-22622016-03-015018920712782The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»Javier HELGUETA MANSO0Universidad de Alcalá<p>Despite its productivity in the fields of criticism and art in the last decades, <em>silence</em> is not an emerging problem, but a phenomenon that already appears in the dawn of culture, as it can be proven by diverse cosmogonies. In this paper, there will be an attempt to analyze silence around <em>Poema del Cante Jondo </em>to demonstrate its presence in García Lorca, and to try to raise a much-needed empirical methodology to literary studies. The methodology will depart from the concept of <em>listening</em>, to rebuild the poem’s auditory sensory repertory and its relationship to the imaginary. The result will be the discovery of a mythical chronotope of silence, the night in the space of nature. In the framework of cosmic silence, a progressive articulation of language will arise, with a journey that begins in a sigh and culminates with the most sophisticated forms of chants and dialogue.</p>https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14045federico garcía lorcamitocosmogoníaimaginario nocturnosilencio
spellingShingle Javier HELGUETA MANSO
The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
1616
federico garcía lorca
mito
cosmogonía
imaginario nocturno
silencio
title The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
title_full The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
title_fullStr The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
title_full_unstemmed The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
title_short The poet that listened (in) the night: silence and waking up of the language in «Poema del Cante Jondo»
title_sort poet that listened in the night silence and waking up of the language in poema del cante jondo
topic federico garcía lorca
mito
cosmogonía
imaginario nocturno
silencio
url https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14045
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