Une leçon japonaise : la gravure sur bois en couleurs en France, 1889-1939
The use of Japanese printmaking techniques by a handful of French engravers was part of a dual process involving the revival of the original woodcut and the advent of colour in Western printmaking. The influence of Japonism was apparent in the experimentation with xylography techniques and printing...
Main Author: | Philippe Le Stum |
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Format: | Article |
Language: | English |
Published: |
Institut français de recherche sur le Japon à la Maison franco-japonaise
2014-11-01
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Series: | Ebisu: Études Japonaises |
Subjects: | |
Online Access: | http://journals.openedition.org/ebisu/1484 |
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