<b>The <i>Opus Dei</i> of violence in Augusto Matraga

The experiences experienced by men in modernity transform literary narratives, thematically and formally, establishing the aim to use allegory as an explanatory stage of that new reality. In the book The Origin of German Tragic Drama, by Walter Benjamin, he conceives allegory as the revelation of a...

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Main Author: João Batista Pereira
Format: Article
Language:English
Published: Universidade Estadual de Maringá 2015-04-01
Series:Acta Scientiarum: Language and Culture
Subjects:
Online Access:http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/24015
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author João Batista Pereira
author_facet João Batista Pereira
author_sort João Batista Pereira
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description The experiences experienced by men in modernity transform literary narratives, thematically and formally, establishing the aim to use allegory as an explanatory stage of that new reality. In the book The Origin of German Tragic Drama, by Walter Benjamin, he conceives allegory as the revelation of a hidden truth that does not represent things just as they are, but provides a version of how they were or might have been. As a reflection of the principles implied in that reading, this paper takes Benjamin’s allegory as an analytical category aiming at identifying the representation of violence in the short story A hora e a vez de Augusto Matraga (The Hour and Turn of Augusto Matraga), by Guimarães Rosa. Our analysis opens a dialogue with the dialectical perspective, in which social-historical conditioning factors contribute to understand Minas Gerais backlands, whose ethos supplies a perception of the world incorporated by Guimarães Rosas’ poetics, widening the view of a violent and enchanting world.
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spelling doaj.art-ada2e9c8e3e145aea4f465c293b1d6842022-12-22T00:23:03ZengUniversidade Estadual de MaringáActa Scientiarum: Language and Culture1983-46751983-46832015-04-01371374810.4025/actascilangcult.v37i1.2401511969<b>The <i>Opus Dei</i> of violence in Augusto MatragaJoão Batista Pereira0Universidade Federal Rural de PernambucoThe experiences experienced by men in modernity transform literary narratives, thematically and formally, establishing the aim to use allegory as an explanatory stage of that new reality. In the book The Origin of German Tragic Drama, by Walter Benjamin, he conceives allegory as the revelation of a hidden truth that does not represent things just as they are, but provides a version of how they were or might have been. As a reflection of the principles implied in that reading, this paper takes Benjamin’s allegory as an analytical category aiming at identifying the representation of violence in the short story A hora e a vez de Augusto Matraga (The Hour and Turn of Augusto Matraga), by Guimarães Rosa. Our analysis opens a dialogue with the dialectical perspective, in which social-historical conditioning factors contribute to understand Minas Gerais backlands, whose ethos supplies a perception of the world incorporated by Guimarães Rosas’ poetics, widening the view of a violent and enchanting world.http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/24015violênciaalegoria benjaminianaGuimarães Rosa
spellingShingle João Batista Pereira
<b>The <i>Opus Dei</i> of violence in Augusto Matraga
Acta Scientiarum: Language and Culture
violência
alegoria benjaminiana
Guimarães Rosa
title <b>The <i>Opus Dei</i> of violence in Augusto Matraga
title_full <b>The <i>Opus Dei</i> of violence in Augusto Matraga
title_fullStr <b>The <i>Opus Dei</i> of violence in Augusto Matraga
title_full_unstemmed <b>The <i>Opus Dei</i> of violence in Augusto Matraga
title_short <b>The <i>Opus Dei</i> of violence in Augusto Matraga
title_sort b the i opus dei i of violence in augusto matraga
topic violência
alegoria benjaminiana
Guimarães Rosa
url http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/24015
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