Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines

This article examines the impact of copy machines on late twentieth-century print cultures. Specifically, this article makes a case for “dry copying,” the method of print reproduction perfected by Xerox in the late 1950s, as a unique medium rather than a weak imitation of other printing methods. Fol...

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Main Author: Jasper Schelstraete
Format: Article
Language:English
Published: Ghent University 2013-09-01
Series:Authorship
Subjects:
Online Access:http://www.authorship.ugent.be/article/id/63962/
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author Jasper Schelstraete
author_facet Jasper Schelstraete
author_sort Jasper Schelstraete
collection DOAJ
description This article examines the impact of copy machines on late twentieth-century print cultures. Specifically, this article makes a case for “dry copying,” the method of print reproduction perfected by Xerox in the late 1950s, as a unique medium rather than a weak imitation of other printing methods. Following the claim that the widespread availability of copy machines in the late twentieth century represented the arrival of a new medium, this article further examines how understandings of authorship, established with print culture, came undone in the era of the copy machine. Finally, this paper makes a case for understanding copy machines as a form of “social media” that opened up opportunities for writers, readers and publishers to create, share, exchange and comment on texts and images in communities and networks of their own making in the decades preceding the development of the web.
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spelling doaj.art-ada6e723ba604527931cec5ae70c527d2022-12-22T04:09:36ZengGhent UniversityAuthorship2034-46432013-09-012210.21825/aj.v2i2.792Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy MachinesJasper SchelstraeteThis article examines the impact of copy machines on late twentieth-century print cultures. Specifically, this article makes a case for “dry copying,” the method of print reproduction perfected by Xerox in the late 1950s, as a unique medium rather than a weak imitation of other printing methods. Following the claim that the widespread availability of copy machines in the late twentieth century represented the arrival of a new medium, this article further examines how understandings of authorship, established with print culture, came undone in the era of the copy machine. Finally, this paper makes a case for understanding copy machines as a form of “social media” that opened up opportunities for writers, readers and publishers to create, share, exchange and comment on texts and images in communities and networks of their own making in the decades preceding the development of the web.http://www.authorship.ugent.be/article/id/63962/remixCopy machinexerographysocial mediaauthorship
spellingShingle Jasper Schelstraete
Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
Authorship
remix
Copy machine
xerography
social media
authorship
title Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
title_full Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
title_fullStr Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
title_full_unstemmed Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
title_short Late Print Culture’s Social Media Revolution: Authorship, Collaboration and Copy Machines
title_sort late print culture s social media revolution authorship collaboration and copy machines
topic remix
Copy machine
xerography
social media
authorship
url http://www.authorship.ugent.be/article/id/63962/
work_keys_str_mv AT jasperschelstraete lateprintculturessocialmediarevolutionauthorshipcollaborationandcopymachines