Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger

Haunting in literary fiction is often interpreted psychologically as a sign of suppressed psychic content or as nostalgia or mourning for the loss. Yet, it may also be used allegorically as a manifestation of hidden social conflicts, and hence mark a political agenda of thus constructed works. In th...

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Main Author: Barbara Klonowska
Format: Article
Language:English
Published: Maria Curie-Sklodowska University 2017-10-01
Series:Avant
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Klonowska-Haunting-across-the-Class.pdf
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author Barbara Klonowska
author_facet Barbara Klonowska
author_sort Barbara Klonowska
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description Haunting in literary fiction is often interpreted psychologically as a sign of suppressed psychic content or as nostalgia or mourning for the loss. Yet, it may also be used allegorically as a manifestation of hidden social conflicts, and hence mark a political agenda of thus constructed works. In the novels by Sarah Waters spectres, poltergeists and haunting appear not as a sign of or a contact with an outer reality; to the contrary, they may be seen as perfectly human—though eccentric—expressions of class and economic inferiority. In Affinity spectres and spiritual séances are presented as a means of earning money by lower classes and the latter’s cunning use of the upper classes’ credulity. In The Little Stranger the poltergeist may be interpreted as an accumulated anger and desire of the servants long ignored by the masters of the emblematic country house. In both, haunting and ghosts manifest vengeance of the underprivileged taken on the socially superior. The essay shows how fictional haunting and spectrality, far from marking a supernatural reality or introducing extrasensory concepts, may function as an allegorical method to discuss political and social problems such as class inequality or social justice.
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spelling doaj.art-add4d5f5a08342d985e110c9f98049772023-10-02T00:48:02ZengMaria Curie-Sklodowska UniversityAvant2082-67102017-10-018217117810.26913/80202017.0112.0013Haunting across the Class Divide: Sarah Waters’s Affinity and The Little StrangerBarbara KlonowskaHaunting in literary fiction is often interpreted psychologically as a sign of suppressed psychic content or as nostalgia or mourning for the loss. Yet, it may also be used allegorically as a manifestation of hidden social conflicts, and hence mark a political agenda of thus constructed works. In the novels by Sarah Waters spectres, poltergeists and haunting appear not as a sign of or a contact with an outer reality; to the contrary, they may be seen as perfectly human—though eccentric—expressions of class and economic inferiority. In Affinity spectres and spiritual séances are presented as a means of earning money by lower classes and the latter’s cunning use of the upper classes’ credulity. In The Little Stranger the poltergeist may be interpreted as an accumulated anger and desire of the servants long ignored by the masters of the emblematic country house. In both, haunting and ghosts manifest vengeance of the underprivileged taken on the socially superior. The essay shows how fictional haunting and spectrality, far from marking a supernatural reality or introducing extrasensory concepts, may function as an allegorical method to discuss political and social problems such as class inequality or social justice.http://avant.edu.pl/wp-content/uploads/Klonowska-Haunting-across-the-Class.pdfhauntingneo-Victorian fictionclasstraumasuppressionrewritingpolitical intervention
spellingShingle Barbara Klonowska
Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
Avant
haunting
neo-Victorian fiction
class
trauma
suppression
rewriting
political intervention
title Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
title_full Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
title_fullStr Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
title_full_unstemmed Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
title_short Haunting across the Class Divide: Sarah Waters’s Affinity and The Little Stranger
title_sort haunting across the class divide sarah waters s affinity and the little stranger
topic haunting
neo-Victorian fiction
class
trauma
suppression
rewriting
political intervention
url http://avant.edu.pl/wp-content/uploads/Klonowska-Haunting-across-the-Class.pdf
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