Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes

The painted and coated “starched cloth” technique seems to have been used since the XVIthcentury, in Italy. Today this practice has been forgotten and there is very little research made on the subject. To create realism, lightness, and gain time and means it was used to reproduce draperies. Shaped a...

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Main Author: Florence Carly
Format: Article
Language:English
Published: Association CeROArt 2010-11-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/1842
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author Florence Carly
author_facet Florence Carly
author_sort Florence Carly
collection DOAJ
description The painted and coated “starched cloth” technique seems to have been used since the XVIthcentury, in Italy. Today this practice has been forgotten and there is very little research made on the subject. To create realism, lightness, and gain time and means it was used to reproduce draperies. Shaped and painted works with finished cloth were made to reproduce scenes, some of which were theatrical with painted wooden figures or mannequins playing major roles associated with these painted canvases. The subject of research is an “entombment", kept in St Marie d'Espira de Conflent’s church. It is made up of seven characters dressed in "starched cloth" and staged in a coated and painted canopy. This assemblage is subject to humidity problems in the church and due to much shipping and handling it is now in an alarming state of conservation. This is a technique that still conceals many mysteries. This study tries to clarify some of them.
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spelling doaj.art-ade75975da5c4771bb663658fba3c3ae2022-12-21T23:59:34ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-11-0110.4000/ceroart.1842Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintesFlorence CarlyThe painted and coated “starched cloth” technique seems to have been used since the XVIthcentury, in Italy. Today this practice has been forgotten and there is very little research made on the subject. To create realism, lightness, and gain time and means it was used to reproduce draperies. Shaped and painted works with finished cloth were made to reproduce scenes, some of which were theatrical with painted wooden figures or mannequins playing major roles associated with these painted canvases. The subject of research is an “entombment", kept in St Marie d'Espira de Conflent’s church. It is made up of seven characters dressed in "starched cloth" and staged in a coated and painted canopy. This assemblage is subject to humidity problems in the church and due to much shipping and handling it is now in an alarming state of conservation. This is a technique that still conceals many mysteries. This study tries to clarify some of them.http://journals.openedition.org/ceroart/1842woodpolychromystarched clothdraperymodelcarving
spellingShingle Florence Carly
Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
wood
polychromy
starched cloth
drapery
model
carving
title Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
title_full Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
title_fullStr Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
title_full_unstemmed Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
title_short Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes
title_sort une alternative a la sculpture en bois polychrome les draperies de toiles appretees faconnees et peintes
topic wood
polychromy
starched cloth
drapery
model
carving
url http://journals.openedition.org/ceroart/1842
work_keys_str_mv AT florencecarly unealternativealasculptureenboispolychromelesdraperiesdetoilesappreteesfaconneesetpeintes