Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)

Adelaide Ristori was among the first actresses to build an iconic image of herself, which spread internationally since her Parisian debut in 1855. Aware of the importance of photography, she did not hesitate to be portrayed by the most important photographers. Ristori thus entered the pantheon of il...

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Main Author: Cristina Tosetto
Format: Article
Language:English
Published: Firenze University Press 2022-04-01
Series:Drammaturgia
Subjects:
Online Access:https://oajournals.fupress.net/index.php/drammaturgia/article/view/13540
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author Cristina Tosetto
author_facet Cristina Tosetto
author_sort Cristina Tosetto
collection DOAJ
description Adelaide Ristori was among the first actresses to build an iconic image of herself, which spread internationally since her Parisian debut in 1855. Aware of the importance of photography, she did not hesitate to be portrayed by the most important photographers. Ristori thus entered the pantheon of illustrious people, known throughout Europe and beyond its borders. Her portraits in carte de visite format quickly integrated into the circuit of the press, establishing a complex relationship with pre-existing graphic techniques, such as engraving. The article analyses the progressive diffusion of Adelaide Ristori’s photographs, focusing in particular on the carte de visite format and on newspapers. The corpus includes three photographs of the actress kept at the Bibliothèque Nationale de France (BNF): a portrait by August Bertsch and two cartes de visite by André Adolphe Eugène Disdéri and Étienne Carjat. What image of the actress do these pictures convey? How do press, graphic arts and photography interact in creating the iconic image of the actress?
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spelling doaj.art-ae39627988b94068a628a5ae0874f3f12022-12-22T00:15:06ZengFirenze University PressDrammaturgia1122-93652283-56442022-04-0118810.36253/dramma-13540Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)Cristina TosettoAdelaide Ristori was among the first actresses to build an iconic image of herself, which spread internationally since her Parisian debut in 1855. Aware of the importance of photography, she did not hesitate to be portrayed by the most important photographers. Ristori thus entered the pantheon of illustrious people, known throughout Europe and beyond its borders. Her portraits in carte de visite format quickly integrated into the circuit of the press, establishing a complex relationship with pre-existing graphic techniques, such as engraving. The article analyses the progressive diffusion of Adelaide Ristori’s photographs, focusing in particular on the carte de visite format and on newspapers. The corpus includes three photographs of the actress kept at the Bibliothèque Nationale de France (BNF): a portrait by August Bertsch and two cartes de visite by André Adolphe Eugène Disdéri and Étienne Carjat. What image of the actress do these pictures convey? How do press, graphic arts and photography interact in creating the iconic image of the actress? https://oajournals.fupress.net/index.php/drammaturgia/article/view/13540Adelaide Risotoricarte de visitehistory of photographypress and graphic arts
spellingShingle Cristina Tosetto
Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
Drammaturgia
Adelaide Risotori
carte de visite
history of photography
press and graphic arts
title Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
title_full Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
title_fullStr Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
title_full_unstemmed Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
title_short Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
title_sort adelaide ristori dalle cartes de visite alla stampa internazionale 1854 1864
topic Adelaide Risotori
carte de visite
history of photography
press and graphic arts
url https://oajournals.fupress.net/index.php/drammaturgia/article/view/13540
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