Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums»
<p style="text-align: justify;">The review introduces the book “The Experience of Blind Visitors to Art Museums” by Simon Hayhoe, a famous philosopher and professor at the University of Bath (UK), and presents the experience of blind visitors to the Met...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | Russian |
| Published: |
Moscow State University of Psychology and Education
2024-02-01
|
| Series: | Современная зарубежная психология |
| Online Access: | https://psyjournals.ru/en/journals/jmfp/archive/2023_n4/Prilevskaia_Basilova |
| _version_ | 1797300037338791936 |
|---|---|
| author | S.A. Prilevskaia T.A. Basilova |
| author_facet | S.A. Prilevskaia T.A. Basilova |
| author_sort | S.A. Prilevskaia |
| collection | DOAJ |
| description |
<p style="text-align: justify;">The review introduces the book “The Experience of Blind Visitors to Art Museums” by Simon Hayhoe, a famous philosopher and professor at the University of Bath (UK), and presents the experience of blind visitors to the Metropolitan Museum of Art in New York, as well as the experience of blind artists such as Esref Armagan and others. The author tries to answer the following questions: why do blind people want to visit art museums if they cannot see the works of fine art and cannot even touch them? How do people whose vision is impaired or absent understand the fine arts if this comprehension is possible primarily through visual perception? What are the consequences of vision loss for a sense of self-identity in a cultural space? Simon Hayhoe believes that blind and visually impaired people enter the world of fine art due to the existence of another, non-sensory dimension. And the portal which connects the materiality of works of art with the world of non-verbal awareness is outside of perceptual knowledge. This “bridge” between conscious and nonverbal knowledge is described as a transition that is provided by the museum environment and by the knowledge of the pieces of art and the whole cultural context. The very atmosphere of museums, galleries, and cultural heritage sites promotes contact between the spiritual world of visitors and works of art.</p> |
| first_indexed | 2024-03-07T23:00:25Z |
| format | Article |
| id | doaj.art-ae4b2c0468734d96872eb4e0400fb09a |
| institution | Directory Open Access Journal |
| issn | 2304-4977 |
| language | Russian |
| last_indexed | 2024-03-07T23:00:25Z |
| publishDate | 2024-02-01 |
| publisher | Moscow State University of Psychology and Education |
| record_format | Article |
| series | Современная зарубежная психология |
| spelling | doaj.art-ae4b2c0468734d96872eb4e0400fb09a2024-02-22T15:04:48ZrusMoscow State University of Psychology and EducationСовременная зарубежная психология2304-49772024-02-01124333610.17759/jmfp.2023120403Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums»S.A. Prilevskaia0https://orcid.org/0009-0008-6611-6475T.A. Basilova1https://orcid.org/0000-0003-1228-1359Moscow State University of Psychology & EducationMoscow State University of Psychology and Education <p style="text-align: justify;">The review introduces the book “The Experience of Blind Visitors to Art Museums” by Simon Hayhoe, a famous philosopher and professor at the University of Bath (UK), and presents the experience of blind visitors to the Metropolitan Museum of Art in New York, as well as the experience of blind artists such as Esref Armagan and others. The author tries to answer the following questions: why do blind people want to visit art museums if they cannot see the works of fine art and cannot even touch them? How do people whose vision is impaired or absent understand the fine arts if this comprehension is possible primarily through visual perception? What are the consequences of vision loss for a sense of self-identity in a cultural space? Simon Hayhoe believes that blind and visually impaired people enter the world of fine art due to the existence of another, non-sensory dimension. And the portal which connects the materiality of works of art with the world of non-verbal awareness is outside of perceptual knowledge. This “bridge” between conscious and nonverbal knowledge is described as a transition that is provided by the museum environment and by the knowledge of the pieces of art and the whole cultural context. The very atmosphere of museums, galleries, and cultural heritage sites promotes contact between the spiritual world of visitors and works of art.</p>https://psyjournals.ru/en/journals/jmfp/archive/2023_n4/Prilevskaia_Basilova |
| spellingShingle | S.A. Prilevskaia T.A. Basilova Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» Современная зарубежная психология |
| title | Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» |
| title_full | Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» |
| title_fullStr | Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» |
| title_full_unstemmed | Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» |
| title_short | Book Review: Simon Hayhoe «Blind Visitor Experiences at Art Museums» |
| title_sort | book review simon hayhoe blind visitor experiences at art museums |
| url | https://psyjournals.ru/en/journals/jmfp/archive/2023_n4/Prilevskaia_Basilova |
| work_keys_str_mv | AT saprilevskaia bookreviewsimonhayhoeblindvisitorexperiencesatartmuseums AT tabasilova bookreviewsimonhayhoeblindvisitorexperiencesatartmuseums |