“No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?

In response to the economic and symbolic difficulties experienced by women musicians, the Union des femmes artistes musiciennes (UFAM), founded in 1910 by Lucy Tassart, set out to provide financial, medical and legal assistance to its members. This article examines the history of the early years of...

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Main Authors: Apolline Gouzi, Arthur Macé
Format: Article
Language:English
Published: Éditions de l'EHESS 2023-11-01
Series:Transposition
Subjects:
Online Access:http://journals.openedition.org/transposition/8109
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author Apolline Gouzi
Arthur Macé
author_facet Apolline Gouzi
Arthur Macé
author_sort Apolline Gouzi
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description In response to the economic and symbolic difficulties experienced by women musicians, the Union des femmes artistes musiciennes (UFAM), founded in 1910 by Lucy Tassart, set out to provide financial, medical and legal assistance to its members. This article examines the history of the early years of the UFAM in the light of the notion of socialization, understanding it as an instance of transformation of the uses and representations linked to the profession of musicienne in early-20th century France.
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spelling doaj.art-ae65ed0e16664812aba36ed03d60c94d2023-12-06T16:32:52ZengÉditions de l'EHESSTransposition2110-61342023-11-0111“No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?Apolline GouziArthur MacéIn response to the economic and symbolic difficulties experienced by women musicians, the Union des femmes artistes musiciennes (UFAM), founded in 1910 by Lucy Tassart, set out to provide financial, medical and legal assistance to its members. This article examines the history of the early years of the UFAM in the light of the notion of socialization, understanding it as an instance of transformation of the uses and representations linked to the profession of musicienne in early-20th century France.http://journals.openedition.org/transposition/8109Union des femmes artistes musicienneswomen musicianslabour historymusical unionsfirst-wave feminismwomen orchestras
spellingShingle Apolline Gouzi
Arthur Macé
“No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
Transposition
Union des femmes artistes musiciennes
women musicians
labour history
musical unions
first-wave feminism
women orchestras
title “No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
title_full “No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
title_fullStr “No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
title_full_unstemmed “No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
title_short “No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
title_sort no longer alone the union des femmes artistes musiciennes ufam a laboratory for new forms of professional socialisation for women musicians in the early 20th century
topic Union des femmes artistes musiciennes
women musicians
labour history
musical unions
first-wave feminism
women orchestras
url http://journals.openedition.org/transposition/8109
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