De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier

Associated with the medical school of Paris and held today by the University of Montpellier, the two most prestigious collections of wax medical models, the Fontana collection and the Spitzner collection, contribute to the history of artistic and scientific treasures, and feature the works of the mo...

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Main Authors: Hélène Palouzié, Caroline Ducourau
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-02-01
Series:In Situ
Subjects:
Online Access:http://journals.openedition.org/insitu/14142
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author Hélène Palouzié
Caroline Ducourau
author_facet Hélène Palouzié
Caroline Ducourau
author_sort Hélène Palouzié
collection DOAJ
description Associated with the medical school of Paris and held today by the University of Montpellier, the two most prestigious collections of wax medical models, the Fontana collection and the Spitzner collection, contribute to the history of artistic and scientific treasures, and feature the works of the most famous wax sculptors from the eighteenth century up to the twentieth: Fontana, Susini, Laumonnier, Baretta, Talrich, Tramond... They are objects of memory mobilising two complementary logics, that of their preservation in situ and that of their presentation as museum pieces. These initiatives have been initiated by the protection of the two collections as historic monuments.
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spelling doaj.art-ae7686cbe1ec462490d3a84a266caa452022-12-22T03:37:52ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-02-013110.4000/insitu.14142De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à MontpellierHélène PalouziéCaroline DucourauAssociated with the medical school of Paris and held today by the University of Montpellier, the two most prestigious collections of wax medical models, the Fontana collection and the Spitzner collection, contribute to the history of artistic and scientific treasures, and feature the works of the most famous wax sculptors from the eighteenth century up to the twentieth: Fontana, Susini, Laumonnier, Baretta, Talrich, Tramond... They are objects of memory mobilising two complementary logics, that of their preservation in situ and that of their presentation as museum pieces. These initiatives have been initiated by the protection of the two collections as historic monuments.http://journals.openedition.org/insitu/14142anatomysculpturewaxmuseum of fairground arts
spellingShingle Hélène Palouzié
Caroline Ducourau
De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
In Situ
anatomy
sculpture
wax
museum of fairground arts
title De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
title_full De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
title_fullStr De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
title_full_unstemmed De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
title_short De la collection Fontana à la collection Spitzner, l’aventure des cires anatomiques de Paris à Montpellier
title_sort de la collection fontana a la collection spitzner l aventure des cires anatomiques de paris a montpellier
topic anatomy
sculpture
wax
museum of fairground arts
url http://journals.openedition.org/insitu/14142
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AT carolineducourau delacollectionfontanaalacollectionspitznerlaventuredesciresanatomiquesdeparisamontpellier