Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard
J. L. Godard appears as a character in "Prénom: Carmen" (1983), not only as a homage to himself and/or to the cinema, to genres, to texts, to actors, etc., but also to leave his mark on his version, that is, the adaptation of the well-known myth of the modern and godardian femme fatale. Go...
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| Format: | Article |
| Language: | Catalan |
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Asociación Cultural 452ºF; Universitat de Barcelona
2009-07-01
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| Series: | 452ºF |
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| Online Access: | http://www.452f.com/pdf/numero01/01_452f-misc-pujante.pdf |
| _version_ | 1819266688819920896 |
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| author | Pujante Segura, Carmen |
| author_facet | Pujante Segura, Carmen |
| author_sort | Pujante Segura, Carmen |
| collection | DOAJ |
| description | J. L. Godard appears as a character in "Prénom: Carmen" (1983), not only as a homage to himself and/or to the cinema, to genres, to texts, to actors, etc., but also to leave his mark on his version, that is, the adaptation of the well-known myth of the modern and godardian femme fatale. Godard uses the recurrence to intertextuality and to metafiction as the only possible instruments to make and to think about the language of cinema and about art in all their splendour. In this way, prejudices of adaptation are overcome by cinema. |
| first_indexed | 2024-12-23T21:05:15Z |
| format | Article |
| id | doaj.art-ae8047c85f9a4b4c8473a37a5b84cb50 |
| institution | Directory Open Access Journal |
| issn | 2013-3294 |
| language | Catalan |
| last_indexed | 2024-12-23T21:05:15Z |
| publishDate | 2009-07-01 |
| publisher | Asociación Cultural 452ºF; Universitat de Barcelona |
| record_format | Article |
| series | 452ºF |
| spelling | doaj.art-ae8047c85f9a4b4c8473a37a5b84cb502022-12-21T17:31:15ZcatAsociación Cultural 452ºF; Universitat de Barcelona452ºF2013-32942009-07-0117788Metafiction and intertextuality in Prénom: Carmen by Jean-Luc GodardPujante Segura, CarmenJ. L. Godard appears as a character in "Prénom: Carmen" (1983), not only as a homage to himself and/or to the cinema, to genres, to texts, to actors, etc., but also to leave his mark on his version, that is, the adaptation of the well-known myth of the modern and godardian femme fatale. Godard uses the recurrence to intertextuality and to metafiction as the only possible instruments to make and to think about the language of cinema and about art in all their splendour. In this way, prejudices of adaptation are overcome by cinema.http://www.452f.com/pdf/numero01/01_452f-misc-pujante.pdfGodardMeriméeCarmenMythIntertextualityMetafictionPostmodenismCinematographic adaptation |
| spellingShingle | Pujante Segura, Carmen Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard 452ºF Godard Merimée Carmen Myth Intertextuality Metafiction Postmodenism Cinematographic adaptation |
| title | Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard |
| title_full | Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard |
| title_fullStr | Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard |
| title_full_unstemmed | Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard |
| title_short | Metafiction and intertextuality in Prénom: Carmen by Jean-Luc Godard |
| title_sort | metafiction and intertextuality in prenom carmen by jean luc godard |
| topic | Godard Merimée Carmen Myth Intertextuality Metafiction Postmodenism Cinematographic adaptation |
| url | http://www.452f.com/pdf/numero01/01_452f-misc-pujante.pdf |
| work_keys_str_mv | AT pujanteseguracarmen metafictionandintertextualityinprenomcarmenbyjeanlucgodard |