The Role of Embodiment in the Perception of Music
Since its breakthrough at the beginning of the twenty-first century, the embodied music cognition theory has inspired empirical research on the role of actionperception couplings in musical activities. The integration of novel technologies and analysis methods inspired empirical research advancing k...
Main Authors: | Marc Leman, Pieter-Jan Maes |
---|---|
Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2015-05-01
|
Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://doi.org/10.18061/emr.v9i3-4.4498 |
Similar Items
-
Sensorimotor grounding of musical embodiment and the role of prediction: a review
by: Pieter-Jan eMaes
Published: (2016-03-01) -
Embodied Cognition, Perception, and Performance in Music
by: Andrew Geeves, et al.
Published: (2015-05-01) -
Musical Interaction Reveals Music as Embodied Language
by: Alessandro Dell’Anna, et al.
Published: (2021-07-01) -
Why Apply a Hierarchical Predictive Processing Framework to Music Perception and Performance?
by: John Michael, et al.
Published: (2015-05-01) -
Music analysis East and West /
by: Selfridge-Field, Eleanor, et al.
Published: (2006)