0247 Installation: Genre, Medium, or What?

Since its emergence at the international scene in the 1970s, installation has been one of the artforms central to the contemporary art system. Yet at the theoretical level the issue of its categorial framework remains unresolved, which in turn reflects the situation within contemporary art’s categor...

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Main Author: Svetlana Makeeva
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2020-07-01
Series:RIHA Journal
Subjects:
Online Access:https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/76080
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author Svetlana Makeeva
author_facet Svetlana Makeeva
author_sort Svetlana Makeeva
collection DOAJ
description Since its emergence at the international scene in the 1970s, installation has been one of the artforms central to the contemporary art system. Yet at the theoretical level the issue of its categorial framework remains unresolved, which in turn reflects the situation within contemporary art’s categoriality in general. Concepts and terms such as "genre", "medium", "intermediality", "post-medium" and "postconceptual" condition have all been applied to installation art. This article attempts to analyze whether these labels are appropriate to the installation art phenomenon, especially with regard to the recent developments within genre, literary and media studies. Hence, the article provides the historical and modern definitions of the terms, while special attention is paid to their usage within art history and installation art discourse. The resulting conclusions are intended to situate installation art within a viable categorial framework and to shed light on several areas of contemporary art categoriality at large.
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spelling doaj.art-af07e41b007c4dbf865aca780030660c2023-11-02T02:17:23ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282020-07-0110.11588/riha.2020.0.76080662220247 Installation: Genre, Medium, or What?Svetlana MakeevaSince its emergence at the international scene in the 1970s, installation has been one of the artforms central to the contemporary art system. Yet at the theoretical level the issue of its categorial framework remains unresolved, which in turn reflects the situation within contemporary art’s categoriality in general. Concepts and terms such as "genre", "medium", "intermediality", "post-medium" and "postconceptual" condition have all been applied to installation art. This article attempts to analyze whether these labels are appropriate to the installation art phenomenon, especially with regard to the recent developments within genre, literary and media studies. Hence, the article provides the historical and modern definitions of the terms, while special attention is paid to their usage within art history and installation art discourse. The resulting conclusions are intended to situate installation art within a viable categorial framework and to shed light on several areas of contemporary art categoriality at large.https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/76080contemporary artinstallation artmediumgenrecategorisation
spellingShingle Svetlana Makeeva
0247 Installation: Genre, Medium, or What?
RIHA Journal
contemporary art
installation art
medium
genre
categorisation
title 0247 Installation: Genre, Medium, or What?
title_full 0247 Installation: Genre, Medium, or What?
title_fullStr 0247 Installation: Genre, Medium, or What?
title_full_unstemmed 0247 Installation: Genre, Medium, or What?
title_short 0247 Installation: Genre, Medium, or What?
title_sort 0247 installation genre medium or what
topic contemporary art
installation art
medium
genre
categorisation
url https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/76080
work_keys_str_mv AT svetlanamakeeva 0247installationgenremediumorwhat