”Som om det aldri har skjedd”

“As if it never happened”: Fictional Work with Forgiveness as a Value amongst 5th–7th Graders This article examines how middle school pupils respond to an aesthetic approach to forgiveness as a value. We observed a group of pupils aged 10–12 while they were investigating and discussing Stian Hol...

Ամբողջական նկարագրություն

Մատենագիտական մանրամասներ
Հիմնական հեղինակներ: Siri Hovda Ottesen, Aasfrid Tysvær
Ձևաչափ: Հոդված
Լեզու:Danish
Հրապարակվել է: Svenska Barnboksinstitutet 2022-12-01
Շարք:Barnboken: Tidskrift för Barnlitteraturforskning
Խորագրեր:
Առցանց հասանելիություն:https://barnboken.net/index.php/clr/article/view/747
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author Siri Hovda Ottesen
Aasfrid Tysvær
author_facet Siri Hovda Ottesen
Aasfrid Tysvær
author_sort Siri Hovda Ottesen
collection DOAJ
description “As if it never happened”: Fictional Work with Forgiveness as a Value amongst 5th–7th Graders This article examines how middle school pupils respond to an aesthetic approach to forgiveness as a value. We observed a group of pupils aged 10–12 while they were investigating and discussing Stian Hole’s picturebook Garmanns gate (Garmann’s Street, 2008) together with their teacher. We claim that Garmanns gate can be read as a story about forgiveness, and that it is also a picturebook that invites the reader to take a performative, aesthetic position; the reader is encouraged to pay attention to how the story is told as well as to the story itself (Ørjasæter, “Terskelposisjonen”). The focus of the article is to what extent investigating Garmanns gate will shed light on forgiveness, a value which is central in the Norwegian school’s purpose clause. We analysed their comments in the light of a definition that identifies different aspects of the concept of forgiveness. Our theoretical framework is Martha Nussbaum’s theory on the importance of narrative imagination in taking other peoples’ perspectives, and Louise Rosenblatt’s theory on aesthetic and efferent reading. We also refer to Maria Nikolajeva’s views on how the picturebook can promote emotional literacy. To deal with the concept of forgiveness, we use Paul Leer-Salvesen’s definition, which enables us to look at different aspects of the concept. These aspects together with “the emancipating consequences of forgiveness” are the categories we use in analysing our findings (Leer-Salvesen, Min skyld 96). We find that an aesthetic approach to Garmanns gate may provide an opportunity for a broader understanding of forgiveness, and we find that the teacher’s role is essential in guiding the pupils in the common aesthetic approach to the book, and in bringing forth reflections in the conversations.
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spelling doaj.art-af40b51c3cf54bf29060f3dca3e38d062022-12-22T02:56:20ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning0347-772X2022-12-014510.14811/clr.v45.747”Som om det aldri har skjedd”Siri Hovda OttesenAasfrid Tysvær “As if it never happened”: Fictional Work with Forgiveness as a Value amongst 5th–7th Graders This article examines how middle school pupils respond to an aesthetic approach to forgiveness as a value. We observed a group of pupils aged 10–12 while they were investigating and discussing Stian Hole’s picturebook Garmanns gate (Garmann’s Street, 2008) together with their teacher. We claim that Garmanns gate can be read as a story about forgiveness, and that it is also a picturebook that invites the reader to take a performative, aesthetic position; the reader is encouraged to pay attention to how the story is told as well as to the story itself (Ørjasæter, “Terskelposisjonen”). The focus of the article is to what extent investigating Garmanns gate will shed light on forgiveness, a value which is central in the Norwegian school’s purpose clause. We analysed their comments in the light of a definition that identifies different aspects of the concept of forgiveness. Our theoretical framework is Martha Nussbaum’s theory on the importance of narrative imagination in taking other peoples’ perspectives, and Louise Rosenblatt’s theory on aesthetic and efferent reading. We also refer to Maria Nikolajeva’s views on how the picturebook can promote emotional literacy. To deal with the concept of forgiveness, we use Paul Leer-Salvesen’s definition, which enables us to look at different aspects of the concept. These aspects together with “the emancipating consequences of forgiveness” are the categories we use in analysing our findings (Leer-Salvesen, Min skyld 96). We find that an aesthetic approach to Garmanns gate may provide an opportunity for a broader understanding of forgiveness, and we find that the teacher’s role is essential in guiding the pupils in the common aesthetic approach to the book, and in bringing forth reflections in the conversations. https://barnboken.net/index.php/clr/article/view/747picturebooksforgivenessnarrative imaginationaesthetic and efferent readingemotional literacy5th-7th graders' reader responses
spellingShingle Siri Hovda Ottesen
Aasfrid Tysvær
”Som om det aldri har skjedd”
Barnboken: Tidskrift för Barnlitteraturforskning
picturebooks
forgiveness
narrative imagination
aesthetic and efferent reading
emotional literacy
5th-7th graders' reader responses
title ”Som om det aldri har skjedd”
title_full ”Som om det aldri har skjedd”
title_fullStr ”Som om det aldri har skjedd”
title_full_unstemmed ”Som om det aldri har skjedd”
title_short ”Som om det aldri har skjedd”
title_sort som om det aldri har skjedd
topic picturebooks
forgiveness
narrative imagination
aesthetic and efferent reading
emotional literacy
5th-7th graders' reader responses
url https://barnboken.net/index.php/clr/article/view/747
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