Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil

By re-evaluating the anthropophagic understanding of the cannibal's alterity, this paper proposes Antropofagia as driven by a collaborative cosmopolitanism. It shows how Antropofagia antagonised the status quo of the Brazilian academies, broaching its commitment to national issues on the ethno-...

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Main Author: Costa Söderlund, Kalinca
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2016-07-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0132-costa-soederlund
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author Costa Söderlund, Kalinca
author_facet Costa Söderlund, Kalinca
author_sort Costa Söderlund, Kalinca
collection DOAJ
description By re-evaluating the anthropophagic understanding of the cannibal's alterity, this paper proposes Antropofagia as driven by a collaborative cosmopolitanism. It shows how Antropofagia antagonised the status quo of the Brazilian academies, broaching its commitment to national issues on the ethno-racial structure and the cultural identity of a young Republic. Antropofagia anticipates Frampton's ideas on Western post-modern stances, undermining the Eurocentric narrative on the succession of, and difference between, modernism and post-modernism. As a sophisticated Arrière-Garde that not only tackled universal civilisation from without, but also from within, Antropofagia emancipated Brazilian cultural production in relation to that of the centre for it problematized, within a post-colonial reality, cultural and political burdens as heavy as those inherent to the local-global relation.
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spelling doaj.art-afc8fee6ed3e4b3293e43224847bb5892023-11-02T08:23:50ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282016-07-010132Antropofagia: An Early Arrière-Garde Manifestation in 1920s BrazilCosta Söderlund, KalincaBy re-evaluating the anthropophagic understanding of the cannibal's alterity, this paper proposes Antropofagia as driven by a collaborative cosmopolitanism. It shows how Antropofagia antagonised the status quo of the Brazilian academies, broaching its commitment to national issues on the ethno-racial structure and the cultural identity of a young Republic. Antropofagia anticipates Frampton's ideas on Western post-modern stances, undermining the Eurocentric narrative on the succession of, and difference between, modernism and post-modernism. As a sophisticated Arrière-Garde that not only tackled universal civilisation from without, but also from within, Antropofagia emancipated Brazilian cultural production in relation to that of the centre for it problematized, within a post-colonial reality, cultural and political burdens as heavy as those inherent to the local-global relation.http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0132-costa-soederlundAntropofagiaBrazilian ModernismColonialityCritical Regionalism
spellingShingle Costa Söderlund, Kalinca
Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
RIHA Journal
Antropofagia
Brazilian Modernism
Coloniality
Critical Regionalism
title Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
title_full Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
title_fullStr Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
title_full_unstemmed Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
title_short Antropofagia: An Early Arrière-Garde Manifestation in 1920s Brazil
title_sort antropofagia an early arriere garde manifestation in 1920s brazil
topic Antropofagia
Brazilian Modernism
Coloniality
Critical Regionalism
url http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0132-costa-soederlund
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