La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa
Two Perromachias were published in Spain in the 18th Century: one by Francisco Nieto Molina (1765), the other by Juan Pisón y Vargas (1786). These mock-epic poems linked with the fable have been forgotten by critics. This paper focuses on Pisón y Vargas’ work and provides new information about his l...
| Main Authors: | , |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Mirail
2012-01-01
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| Series: | Criticón |
| Subjects: | |
| Online Access: | http://journals.openedition.org/criticon/164 |
| _version_ | 1828863217515888640 |
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| author | Rafael Bonilla Cerezo Ángel Luis Luján Atienza |
| author_facet | Rafael Bonilla Cerezo Ángel Luis Luján Atienza |
| author_sort | Rafael Bonilla Cerezo |
| collection | DOAJ |
| description | Two Perromachias were published in Spain in the 18th Century: one by Francisco Nieto Molina (1765), the other by Juan Pisón y Vargas (1786). These mock-epic poems linked with the fable have been forgotten by critics. This paper focuses on Pisón y Vargas’ work and provides new information about his life. His Perromachia, written in eight silvas, takes Lope de Vegas’ Gatomaquia as main model, although the complete account of its sources shows that Pisón y Vargas gives includes in his poem the Parnasus of Spanish Golden Age that is in favour with the neoclassical canon: Garcilaso, Fray Luis and Villegas, particularly. The Perromachia is a moral fable, with footsteps of novel, and a satiric piece disguised as a text that continues the tradition of Golden Age mock-epic. |
| first_indexed | 2024-12-13T03:39:40Z |
| format | Article |
| id | doaj.art-afe6d56e27fd410d81683bfdb63d89b4 |
| institution | Directory Open Access Journal |
| issn | 0247-381X |
| language | Spanish |
| last_indexed | 2024-12-13T03:39:40Z |
| publishDate | 2012-01-01 |
| publisher | Presses universitaires du Mirail |
| record_format | Article |
| series | Criticón |
| spelling | doaj.art-afe6d56e27fd410d81683bfdb63d89b42022-12-22T00:00:58ZspaPresses universitaires du MirailCriticón0247-381X2012-01-0111519321810.4000/criticon.164La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosaRafael Bonilla CerezoÁngel Luis Luján AtienzaTwo Perromachias were published in Spain in the 18th Century: one by Francisco Nieto Molina (1765), the other by Juan Pisón y Vargas (1786). These mock-epic poems linked with the fable have been forgotten by critics. This paper focuses on Pisón y Vargas’ work and provides new information about his life. His Perromachia, written in eight silvas, takes Lope de Vegas’ Gatomaquia as main model, although the complete account of its sources shows that Pisón y Vargas gives includes in his poem the Parnasus of Spanish Golden Age that is in favour with the neoclassical canon: Garcilaso, Fray Luis and Villegas, particularly. The Perromachia is a moral fable, with footsteps of novel, and a satiric piece disguised as a text that continues the tradition of Golden Age mock-epic.http://journals.openedition.org/criticon/164influencia del Siglo de OroPisón y Vargas Juanpoesía burlesca del siglo XVIII español |
| spellingShingle | Rafael Bonilla Cerezo Ángel Luis Luján Atienza La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa Criticón influencia del Siglo de Oro Pisón y Vargas Juan poesía burlesca del siglo XVIII español |
| title | La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa |
| title_full | La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa |
| title_fullStr | La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa |
| title_full_unstemmed | La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa |
| title_short | La Perromachia de Pisón y Vargas: épica burlesca, novela, comedia fabulosa |
| title_sort | la perromachia de pison y vargas epica burlesca novela comedia fabulosa |
| topic | influencia del Siglo de Oro Pisón y Vargas Juan poesía burlesca del siglo XVIII español |
| url | http://journals.openedition.org/criticon/164 |
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