« Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart

Whereas there are many academic publications on André Schwarz-Bart, one of his works that could be considered as major, “Kaddish”, remains still to be discovered. Cut-out and annotated newspapers and magazines, notebooks, and a library full of books with marginalia: such seems to be the form of this...

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Main Author: Keren Mock
Format: Article
Language:English
Published: Institut des textes & manuscrits modernes (ITEM)
Series:Continents manuscrits
Subjects:
Online Access:https://journals.openedition.org/coma/6943
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author Keren Mock
author_facet Keren Mock
author_sort Keren Mock
collection DOAJ
description Whereas there are many academic publications on André Schwarz-Bart, one of his works that could be considered as major, “Kaddish”, remains still to be discovered. Cut-out and annotated newspapers and magazines, notebooks, and a library full of books with marginalia: such seems to be the form of this archive with important dimensions. By a comparative search for the scattered traces of this prayer to be invented, this article deals with the analysis and the processes of an experimental kind of writing. Through the two versions found in André Schwarz-Bart’s archives of the ancient lamentation “A Fire Burns Whithin Me”, the project is to reconstruct a considerable work left in its nascent state. Written directly on Yosef Hayim Yerushalmi’s Zakhor or rewritten in the form of a play, Schwarz-Bart’s writing adds to the ritual and liturgical imperative to remember of the Jewish people, the traumatic memory of the Holocaust.
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spelling doaj.art-b0124351a5b44437a6704b34389872062024-02-13T13:45:39ZengInstitut des textes & manuscrits modernes (ITEM)Continents manuscrits2275-17421610.4000/coma.6943« Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-BartKeren MockWhereas there are many academic publications on André Schwarz-Bart, one of his works that could be considered as major, “Kaddish”, remains still to be discovered. Cut-out and annotated newspapers and magazines, notebooks, and a library full of books with marginalia: such seems to be the form of this archive with important dimensions. By a comparative search for the scattered traces of this prayer to be invented, this article deals with the analysis and the processes of an experimental kind of writing. Through the two versions found in André Schwarz-Bart’s archives of the ancient lamentation “A Fire Burns Whithin Me”, the project is to reconstruct a considerable work left in its nascent state. Written directly on Yosef Hayim Yerushalmi’s Zakhor or rewritten in the form of a play, Schwarz-Bart’s writing adds to the ritual and liturgical imperative to remember of the Jewish people, the traumatic memory of the Holocaust.https://journals.openedition.org/coma/6943archivesgenetic criticismKaddishAndré Schwarz-Bartlamentationholocaust
spellingShingle Keren Mock
« Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
Continents manuscrits
archives
genetic criticism
Kaddish
André Schwarz-Bart
lamentation
holocaust
title « Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
title_full « Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
title_fullStr « Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
title_full_unstemmed « Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
title_short « Un feu brûle en moi » : dernières lignes du « Kaddish final » d’André Schwarz-Bart
title_sort un feu brule en moi dernieres lignes du kaddish final d andre schwarz bart
topic archives
genetic criticism
Kaddish
André Schwarz-Bart
lamentation
holocaust
url https://journals.openedition.org/coma/6943
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