If There Were a Single Bahian (Brazilian) Dance Culture…

How might culture be embedded in artworks? As a Brazilian artist performing abroad, I often receive feedback suggesting that my solos are deeply related to my “roots”. Such experience led me to three reflections: 1. It is tempting to reduce a dance experience by seeing only; 2. It is ambitious to pi...

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Main Author: Flaviana Xavier Antunes Sampaio
Format: Article
Language:English
Published: The International Academic Forum 2023-01-01
Series:IAFOR Journal of Cultural Studies
Subjects:
Online Access:https://iafor.org/journal/iafor-journal-of-cultural-studies/volume-7-issue-2/article-4/
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author Flaviana Xavier Antunes Sampaio
author_facet Flaviana Xavier Antunes Sampaio
author_sort Flaviana Xavier Antunes Sampaio
collection DOAJ
description How might culture be embedded in artworks? As a Brazilian artist performing abroad, I often receive feedback suggesting that my solos are deeply related to my “roots”. Such experience led me to three reflections: 1. It is tempting to reduce a dance experience by seeing only; 2. It is ambitious to pinpoint someone’s culture through a dance; 3. Stereotypes prevent the exchange and flourishing of innovative ideas. In this paper, I will refer to my performance Sombreiro (2018) to explore how shadows can be used to connect people to culture. By sharing dance, psychology, history, and anthropology references, I will discuss how shadow aspects of Bahia served as choreographic strategies to suggest a sense of unknowing and otherness in the audience.
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spelling doaj.art-b0a1a370016c412d86d9c030a92792c92023-02-08T04:57:03ZengThe International Academic ForumIAFOR Journal of Cultural Studies2187-49052023-01-0172476210.22492/ijcs.7.2.04If There Were a Single Bahian (Brazilian) Dance Culture…Flaviana Xavier Antunes Sampaio0Bahia Southwest State University, BrazilHow might culture be embedded in artworks? As a Brazilian artist performing abroad, I often receive feedback suggesting that my solos are deeply related to my “roots”. Such experience led me to three reflections: 1. It is tempting to reduce a dance experience by seeing only; 2. It is ambitious to pinpoint someone’s culture through a dance; 3. Stereotypes prevent the exchange and flourishing of innovative ideas. In this paper, I will refer to my performance Sombreiro (2018) to explore how shadows can be used to connect people to culture. By sharing dance, psychology, history, and anthropology references, I will discuss how shadow aspects of Bahia served as choreographic strategies to suggest a sense of unknowing and otherness in the audience.https://iafor.org/journal/iafor-journal-of-cultural-studies/volume-7-issue-2/article-4/brazilbahiaculturedanceshadow
spellingShingle Flaviana Xavier Antunes Sampaio
If There Were a Single Bahian (Brazilian) Dance Culture…
IAFOR Journal of Cultural Studies
brazil
bahia
culture
dance
shadow
title If There Were a Single Bahian (Brazilian) Dance Culture…
title_full If There Were a Single Bahian (Brazilian) Dance Culture…
title_fullStr If There Were a Single Bahian (Brazilian) Dance Culture…
title_full_unstemmed If There Were a Single Bahian (Brazilian) Dance Culture…
title_short If There Were a Single Bahian (Brazilian) Dance Culture…
title_sort if there were a single bahian brazilian dance culture
topic brazil
bahia
culture
dance
shadow
url https://iafor.org/journal/iafor-journal-of-cultural-studies/volume-7-issue-2/article-4/
work_keys_str_mv AT flavianaxavierantunessampaio iftherewereasinglebahianbraziliandanceculture